Jackson Heights Greenmarket Bridges the Gap Between Farmer and New Yorker

By Stella Raine Chu

R&G Produce from Orange County, New York. Credit: GrowNYC

To find fresh produce, one needs to go no further than 34th and 79th in Jackson Heights, Queens. 

Here, tents are pitched along the two-block radius in an L-shape, selling everything from freshly harvested fruits and vegetables, fish, poultry, baked goods, dairy products and more. The market is open year-round, every Sunday morning. 

Jackson Heights Greenmarket is run by GrowNYC, a non-profit organization looking to supply New Yorkers across the five boroughs with fresh and locally grown produce. Founded in 1970, the organization is responsible for over 160 community gardens and 46 Greenmarkets across the city. 

In order to maintain the quality and authenticity of their products, GrowNYC requires farmers looking to sell at Greenmarkets to meet a rigid set of requirements: they must only sell what they grow or produce, be in full control of their products, come to the market themselves, and be located within their predetermined Region, a circle extending 120 miles to the south, 170 miles east and west, and 250 miles north of New York City. Farmers may not sell anything irradiated or genetically modified. 

“Health is number one,” said Naho Matsuzawa, a regional manager of GrowNYC’s Greenmarket program. “To be able to talk to these producers on their farming practices, their organic methods, how they’re utilizing the crops from last year to fertilize future crops — I think all that is very important for the community to know and have access to.” 

Matsuzawa says that the 250 mile radius that producers are required to be located within means fresh food, a lower carbon footprint, and local support for local farmers. 

The Greenmarket program is also a good chance for all New Yorkers, regardless of income, to eat healthy. 

A shopper browses the selections available at Nolasco Farm, specializing in Mexican produce. Credit: GrowNYC

While the city has launched programs that make it easier for low-income New Yorkers to access healthy foods — Green Carts are food trucks that bring fresh produce to neighborhoods that may otherwise lack access to them, and the Shop Healthy program partners with food retailers in neighborhoods with high rates of nutrition-related diseases to stock healthier foods — more needs to be done. 

About one in three lowest-income households, meaning $25,000 or less, in New York reported food insufficiency in 2023. Since the rise of the COVID pandemic, food insecurity has remained high. While state intervention programs like SNAP Emergency Allotments and free school meals filled in some of the gaps in the food chain, these programs have since been rolled back and left New Yorkers struggling once again.

The prevalence of nutrition-related diseases like diabetes and obesity vary largely by zip code. Determining walkability, access to healthy food, transportation, and prevalence of sodium-filled fast-food chains, where New Yorkers live greatly influences their diet. In a neighborhood like Manhattan’s Upper East Side, 8.8 percent of residents are considered obese. In the South Bronx, that number is a staggering 37 percent. 

But programs like Greenmarkets are looking to change that — all of their locations accept SNAP/EBT and Healthfirst OTC cards. For every two dollars spent using SNAP/EBT, two dollars are earned in Health Bucks, which can then be used to purchase fruits and vegetables at all farmers markets across the city. 

In 2023, $4 million in SNAP/EBT was redeemed at GrowNYC Greenmarkets. 

“Everyone thinks farmers’ markets are expensive,” said Christopher Novak, co-owner of Abundance Acres Farms in Stone Arabia, New York. Ten years ago, Novak and his life partner Pam MacKenzie decided to start a 200-acre homestead home to various kinds of poultry, swines, sheeps, and goats. Since then, they’ve sold to a variety of markets in the metropolitan area and have been at Jackson Heights Greenmarket for six years. 

Christopher Novak, co-owner of Abundance Acres Farms in Stone Arabia, New York. Novak and his life partner Pam MacKenzie started their homestead ten years ago. Credit: Stella Raine Chu

“You can go to any upscale chain, I won’t mention names — Whole Foods — and you will find our quality just kicks ass and our price is comparable,” he said. But Novak says it’s more than the cost — it’s knowing where your food comes from and where it’s been. 

“When you eat a hamburger from a fast food chain, it can contain ground beef from 2,000 animals,” he said. “But ours is all single source. I picked up the cow when it was born, it’s been with Mama, it gets real milk, sunshine and grass. It gets one bad day, and after that it comes here.” 

But for all the value that farmers provide their customers — competitive price points, fresh and healthy food, and a community on the basis of said food — there are serious struggles. 

As of 2023, the average age of an American farmer was 57.5 years old. That’s up sharply from 1978, when the same figure was a little over 50. Young people don’t want to become farmers — and for good reason. The barriers to entry are mounting against them, including but not limited to: cost of land, student loan debt, climate change, housing, healthcare and equipment costs. 

Additionally, the overall stress of the agriculture industry leaves more to be desired. Farmers are often at the mercy of the weather, supply shortages, volatile markets and other uncontrollable factors. 

But if the younger generation won’t take up the job of feeding America, no one will. That spells out a big problem for the future of the country’s food chain. 

Anticipating this problem, the USDA has launched programs to aid new farmers, particularly female farmers and farmers of color, providing farm loans and crop insurance to those looking to start their own farms. 

For more seasoned farmers, GrowNYC runs the Beginning Farmer Program to provide those already with agricultural experience the boost they need to establish their own farms, for free. In 2023, the program helped 40 farmers receive legal and financial assistance, and 10 farmers received help launching their own farm businesses. 

“Farmers don’t plan for tomorrow, we plan for a generation ahead,” Novak said. “I’m planting trees I will never see to mighty maples and oaks — but I plant them to leave something for someone that I’m going to leave my stewardship of this land to.” 

For now, farmers like Christopher Novak will continue to feed New Yorkers by providing fresh, locally grown food, no matter their tax bracket. Despite the hardships, they’ll continue to pitch their tents on 34th and 79th every Sunday morning, without fail. 

“We haven’t had a vacation in a decade, but it’s alright,” Novak said. “Because some days you sit at the farm, you share an adult beverage and watch the sun go down — nothing’s run away, nothing’s died. And it’s good. It’s a good day.” 

 

 

 

 

 

 

College Point Remembers the Fallen with 103rd Citizens Memorial Day Parade

By Sherica Daley | news@queensledger.com

The College Point Wreaths Paying Homage to the heroic heroes who have their lives for our country who are from College Point

As the breeze from the East River blows into the Hermon A. MacNeil Park in College Point, Queens, members of the community pay respect to the fallen veterans in the 103rd College Point Citizens Parade. On Sunday, May 26th, 2024, members of the community came together to dedicate this day to the departed of the Armed Forces, from past and present. 

This timely tradition in College Point started on June 7th, 1865 to welcome the return of the 34th Light Artillery. The Artillery had 42 members of College Point who were part of this team. Now entering the 103rdyear, the parade that started at 28th Avenue and College Point Avenue, people waved the American Flags with pride and showed their pride for the fallen members of College Point from the Civil War, Vietnam War WWI, and WWII. 

As the parade made its way down College Point Avenue, whistles blew and bells chimed as members of the FDNY Ladder Engine 297 and Ladder 103 stopped to honk their horns and shake hands with children. The FDNY was not the only one that marched in the parade. Queens Borough President Donovan Richards came to visit and meet the members of the College Point community and the families of the fallen veterans in the community. 

The North Fork Trolley by the Sponser Poppenhusen Institute

The parade continued down to College Point Avenue to Poppenhusen Avenue, where they had the closing ceremony in Hermon A. MacNeil Park. Here, Parade Chairman and President of A Better College Point Civic Association, Jennifer Shannon was the mediator of the closing ceremony. She introduced the College Point Wreaths with the names of all the Veterans that born and raised in College Point, and who are no longer with us. “This was not possible without sponsors,” said Shannon, which includes the World War I Monument located on College Point and 18th Avenue,  College Point Ambulance Corps, St. John’s  Lutheran Church, and St. Fidelis Church. 

The ceremony moved to the closing remarks and speeches. The Closing Prayers were given by Reverend Wilson John Daniel and the Our Father Prayer spoken in English and German, by community member Teresa Vormittag. The introduction of the Grand Marshalls Lucie Shannon, Jennifer’s mother, and Judy Zoldak. 

Next, was the 9-year-old Poppy Queen, Aubrey Rose Leonardo, whose great-grandfathers served in the army in WWI. She took the stage with her speech explaining “Poppy is the flower of remembrance,” she said. Poppies were used as a symbol of remembrance of the fallen on this Memorial Day. 

The closing ceremony had special guests who came to speak to the College Point community. The first guest was Queens Borough President Donovan Richards. “ On a day like this we are reminded, especially with as we look at conflict all around the world, that freedom isn’t free,” said Richards. 

“On a day like this we remember those who never made it back home,” he said. The second guest Councilmember of District 19 Vickie Paladino, who has been marching in the College Point Parade for six years, came to commemorate the community for coming together and showing their pride not only for College Point but for the borough of Queens. 

The final guest Curtis Silwa, founder of the Guardian Angels, took the stage and spoke on the importance of the American Flag, not only for the Memorial Day celebration but for American History. 

As the closing ceremony, took a moment of silence, a message was left onto the community about the sacrifice the veterans made with the message “We will Never Forgot those who gave their lives for our freedom” 

(From Left to Right)- Revere Wilson John Daniel, Guardian Angels
Founder Curtis Silwa , Grand Marshalls Lucie Shannon and Judy Zoldak, Parade Chairman
Jennifer Shannon, Poppy Queen, Aubrey Rose Leonardo, Council Member Vickie Paladino,
and Teresa Vormittag , who recited the Our Father Prayer in German.

Two Men Indicted for Middle Village Summer Shooting

The shooting took place outside 79-28 Metropolitan Ave. Credit: Celia Bernhardt

Two men were indicted for the fatal shooting of 19-year-old Joshua Taylor in Middle Village last summer, facing charges of murder and attempted murder.

Shamel Capers, a 24-year-old from Herzl Street in Brooklyn, faces charges of attempted murder in the second degree, reckless endangerment in the first degree, and four counts of criminal posession of a weapon in the second degree. Capers was arraigned on May 21 and could face up to 25 years in prison.

25-year-old Dante Hunter from Mott Haven Avenue in Far Rockaway, Queens, faces charges of  murder in the second degree, attempted murder in the second degree, reckless endangerment in the first degree, and four counts of criminal possession of a weapon in the second degree. Hunter was arraigned on May 20 and faces 25 years to life in prison.

The July 23, 2023 shooting happened at approximately 3:17 a.m. near 79-28 Metropolitan Avenue. The situation started when one of Taylor’s friends threw a drink in the general direction of Caper and Capers’ friend, who were exiting a nearby convenience store. A verbal dispute followed, where Hunter joined Capers. 

After several minutes, that argument escalated into a four-way shootout. Hunter drew his firearm first. 

Taylor was hit by a single round in his chest from the crossfire; he was taken to Elmhurst Hospital, where he was pronounced dead. 

More than two dozen 9mm shell casings were found at the scene. After an investigation. Capers was identified using surveillance footage from nearby locations and financial records for a credit and debit card he used immediately before the shooting. Hunter, meanwhile, was already in custody on a parole warrant at the time of the incident.

Capers served eight years in prison in connection with the 2013 killing of a 14-year-old named D’aja Robinson. He was one of two men convicted for the shooting, but was exonerated in 2022 after prosecuters said that evidence proved the other man was the sole shooter.  

A surveillance video allegedly shows Capers firing a gun, but his attorney denied this in court last week. 

Another individual — 21-year-old Damone Miller from Brooklyn — has also been charged in connection with Taylor’s death. 

The shooting was a shock for Middle Village, a usually quiet and safe area. The Queens Ledger reported at the time that a nearby resident’s car was hit by stray bullets, shattering its side window. 

“Gun violence has caused immense tragedy in our neighborhoods, steering too many of our young people toward choices that negatively impact the rest of their lives,” District Attorney Melinda Katz said. “Following a painstaking process of evidence gathering, we have secured an indictment on very serious charges against both defendants for the early morning shootout that left one person dead. We will continue to dedicate all resources at our disposal to combating the scourge of gun violence in this borough.”

Judge Michael Aloise ordered defendants Hunter and Capers to return to court on June 18. 

Forest Hills Memorial Day Parade Honors Fallen Heroes

By MOHAMED FARGHALY mfarghaly@queensledger.com

The streets of Forest Hills were alive with patriotic spirit as the American Legion Continental Post #1424 hosted its annual Memorial Day Parade on May 26, honoring fallen service members and local heroes alike.

The parade, a longstanding tradition dating back decades, served as a poignant reminder of the sacrifices made by those who served in the armed forces. Held by the legion post, it was a testament to the enduring legacy of the organization, which was established in 1946. Despite facing closure just five years ago due to declining participation, the post has been revitalized and modernized under the leadership of Commander Michael Arcati and Vice Commander Pat Conley, along with other dedicated members.

The Forest Hills Memorial Day Parade also welcomed a distinguished guest this year: New York City Mayor Eric Adams. His presence underscored the city’s deep-rooted patriotism and unwavering appreciation for the sacrifices made by servicemen and women.

Mayor Adams, standing tall among the procession, exemplified a profound respect for those who have served on the battlefield and those who never returned home. His participation in the parade spoke volumes about his commitment to honoring the memory of fallen heroes and supporting the veterans who have bravely served their nation.

“I still say I pledge allegiance to the flag of the United States of America and to the republic for which it stands, one nation under God,” Mayor Adams recited. 

Mayor Eric Adams expressed his resolute commitment to honoring heroes and defending the country, emphasizing his personal connection to the cause through the loss of his 19-year-old uncle, who died defending his nation. He vowed to stand boldly against any attempts to tarnish the country’s legacy, refusing to remain silent in the face of adversity.

“We come out today so we can honor our heroes,” Mayor Adams said. “I want to defend this country and display it till my death. I believe in America. God bless America and God bless our troops.” 

The two grand marshals who were announced earlier this month by the legion lead the Memorial Day parade down the streets with flare and spirit. Led by the grand marshals, Vietnam veteran William Hartnett and dedicated civilian Michael Reddy, the procession wound its way through the neighborhood, drawing crowds of spectators who lined the streets to pay their respects.

Hartnett and Reddy exemplified the spirit of remembrance and gratitude as they led the parade with pride and reverence. 

Hartnett, a distinguished veteran who served in Vietnam, expressed deep gratitude for the opportunity to represent his fellow servicemen and women. He emphasized the importance of the Legion’s role in providing support and camaraderie to veterans, highlighting the organization’s commitment to the community.

Similarly, Reddy’s journey into his role as Grand Marshal began over a decade ago when he witnessed the declining participation in the parade and stepped in to support the organization. His unwavering dedication to honoring the sacrifices of servicemen and women has earned him the respect and admiration of the community.

Their presence served as a reminder of the importance of honoring the memory of fallen heroes and recognizing the contributions of those who have served their country.

The parade route, which began in front of the American Legion post on Metropolitan Avenue, traversed through the heart of Forest Hills before culminating at the Remsen Family Cemetery. Along the way, participants and spectators alike paused to reflect on the significance of Memorial Day and to pay tribute to those who made the ultimate sacrifice for their country.

As the procession made its way to the Remsen Family Cemetery, where Revolutionary War soldiers rest, the solemnity of the occasion was palpable. 

As the parade drew to a close, the community came together to celebrate the enduring spirit of remembrance and gratitude that defines Memorial Day. Through their participation and attendance, participants and spectators alike paid tribute to the brave men and women who have served their country with honor and distinction.

Tour of the 1964/65 World’s Fair Grounds Features Queens-Based Performers

By Britney Trachtenberg britt@queensledger.com

Queens Theater and Queensboro Dance Festival gave free tours of the 1964/65 World’s Fair Grounds on Sun., May 26 in honor of the fair’s 60th Anniversary. Karesia Batan, Executive Director of the Queensboro Dance Festival, and Justin Rivers, Chief Experience Officer of Untapped New York led attendees around Flushing Meadows Corona Park. Pop-up performances represented the pavilions at the World’s Fair, which opened in Apr. of 1964 and ran until Oct. of 1965.

Batan asked, “All the performances and all the artists that you’re [going to see] today [are] all from Queens, so can we please give a shout out to the most diverse borough in the world?” The attendees clapped.

Attendees met at the Unisphere at 2:00 p.m. and participated in an international flag parade in honor of the Fair’s Avenue of Flags and Court of Nations, which represented the unity of the countries that came to the 1964/65 World’s Fair. 

Queens-based band Brass Monkeys led the participants to the Court of the Universe in honor of the New Orleans Jazz Tent at the World’s Fair. Rivers said, “The city of New Orleans was represented by Louisiana. They had a New Orleans Jazz Tent where you could see jazz performed on a regular basis throughout your time here at the World’s Fair.”

The Chinese Dance studio RU Dance from Flushing performed Latin dances at the Court of the Universe. Barbara Deakin from Sunnyside said, “It was cross-cultural, so that seemed to embody the idea of the World’s Fair.”

Rivers discussed the Court of the Universe and the Fountain of the Planets’ significant roles in the World’s Fair. He said, “For those of you who remember the World’s Fair, you know that the theme was all about space. Behind me in that body of water is the Fountain of the Planets. When it was actually created for the 1939 World’s Fair, it required a conduit from the Flushing Bay that is the size of the Holland Tunnel to push the water into the basin and create the lakes on the other side of the highway that we have today.” He also said, “For the 1964/65 World’s Fair, all around this pool were the captains of industry and commerce.” The companies in this area included GE, Clairol, Bell Industries, IBM, and Pepsi-Cola.

CarNYval Dancers from Jamaica, Queens presented a Caribbean Soca near the Rocket Thrower statue. During the 1964/65 World’s Fair, the Caribbean Pavilion was located near the structure. The pavilion consisted of two buildings with palm-tree-lined terraces and contained steel drum bands and calypso dance performances.

Rivers said, “Robert Moses was President of the World’s Fair Corporation and had a say in basically everything that was going on here. He picked the artist Donald De Lue for that statue. He had only six months to create that bronze statue.” Rivers elaborated, “When it was revealed, it was not loved so much by the people in general because it was a little bit older than people’s sensibilities in the post-modern futuristic ‘60s.”

Tinikling from the Philippines and The Physical Plant from Sunnyside danced on a set of steps near the base of the Unisphere. During the 1964/95 World’s Fair, a moat surrounded the Philippines Pavilion with three bridges.

Kofago Dance Ensemble from Jamaica, Queens taught attendees a West African dance routine. The ensemble presented a West Africa drum routine as well.

10tecomai Yosakoi Dance Project from Bayside performed a Japanese Yosakoi routine.

In the Nebula Lobby at Theaterama!, N.Y. Aikikai gave an Aikido martial arts demonstration. The dojo of Yamada Sensei introduced Aikido to the U.S. at the World’s Fair. Batan said, “That is actually something very personal to me. My whole family practices Aikido.”

The Greek American Folklore Society from Astoria presented Greek dances. During their last routine, the dancers invited attendees to perform with them. Participants held hands and danced in a circle. They learned the basic steps involved in Greek dances.

Students from McManus Irish Dance in Sunnyside performed three Irish step dancing routines.

After arriving at the Vatican Bench, participants listened to a music installation of the Cities Service Band of America, which played at the World’s Fair.

When asked how the World’s Fair Tour came together, Batan said, “I love producing events like this. We determined the type of walking route. I looked up the actual souvenir map to see what country pavilions were sort of near the historical sites that we would be stopping at and that was the inspiration to figure out which Queens-based dance groups on our roster to reach out to.”

The QDF presents free outdoor dance performances in public parks across Queens. Their free dance tour begins on June 8. The twenty-five dance groups represent the various cultures in Queens.

Ridgewood and Glendale Honor Troops With 86th Memorial Day Parade

By Britney Trachtenberg britt@queensledger.com

Credit: Britney Trachtenberg.

The communities of Ridgewood and Glendale held their 86th Memorial Day parade on Mon., May 27 around 11:00 a.m. at the corner of Myrtle Ave. and Cypress Ave. The Allied Veterans Memorial Committee of Ridgewood and Glendale sponsored the parade.

The Allied Veterans Memorial Committee of Ridgewood and Glendale started in 1920 with a mission of creating monuments for service members who lost their lives in World War I. The Allied Veterans Memorial Committee consists of Brewery-Keenan Heisser Post 1815 of the American Legion, Joseph B. Garity Post 562 of the American Legion, Ridgewood Post 123 of the Veterans of Foreign Wars (V.F.W.), Lt. Alfred Lucia Chapter 118 of the Disabled American Veterans organization, and Glendale Post 104 of the American Legion, and Sgt. Edward Miller Post 7336 of the V.F.W. The auxiliaries of the Allied Veterans Memorial Committee of Ridgewood and Glendale include Edward R. Miller Post 7336 of the V.F.W. Auxiliary, Ridgewood Post 123 of the V.F.W. Auxiliary, and Lt. Alfred Lucia Unit 118 of the D.A.V. Auxiliary. 

Russell Goeller, Parade Chairman and member of the Brewery-Keenan Heisser Post 1815, hosted the opening ceremony and called each speaker to the microphone. Sailors and Marines from the Amphibious Assault Ship USS Bataan (LHD-5) in Norfolk, Virginia gathered in the street to listen.

Father Dariuz Blicharz of St. Matthias Roman Catholic Church gave an invocation. Larry Biordi, member of the Lieutenant Alfred Lucia Chapter 118 of the Disabled American Veterans organization, spoke the Pledge of Allegiance and Russell Goeller, III sang “God Bless America. Attendees who had gathered on the sidewalk joined in. Father Blicharz gave a benediction.

Goeller introduced James “Jimmy” Dwyer, Grand Marshall of the parade. Dwyer signed up for the U.S. Navy at sixteen years old and fought in the Vietnam War. The Grand Marshall said, “‘All gave some. Some gave all.’ You hear that said a lot and that’s what today represents. We remember those who serve our country and fell in the many, many conflicts and wars this country has been in. That’s the purpose of Memorial Day.”

NYC Council Members Robert Holden and Jenifer Rajkumar spoke during the opening ceremony.

Holden showed a photograph of Eddie Hoyt, a sailor who died at nineteen years old aboard the USS Jacob Jones. Hoyt’s family lived near Holden’s family. After Hoyt’s passing, Holden’s mother became a pen pal for sailors. Though she corresponded with many sailors, one caught her eye. The man became Holden’s father.

Rajkumar thanked the Sailors and Marines for their service. She said, “Every day, I thank God that I was born in the greatest nation on Earth and all of us have to prove ourselves worthy of the sacrifice made by those who gave the ultimate sacrifice for our freedom.”

The Joseph B. Garity Post 562 American Legion Firing Squad conducted the Salute to the Dead.

Participating organizations walked 1.4 miles from Myrtle Ave. and Cypress Ave. to Myrtle Ave. and Cooper Ave. Police from the 104 Precinct led the floats along the route. The Allied Veterans of Ridgewood/Glendale and Glendale Post 104 American Legion shared the first float, followed by a float from the Kiwanis Club of Ridgewood with the 104 Precinct and NYC Community Board 5.

Caroline Barnes, Music Teacher, led the drum line from Hawtree Creek Middle School in a lively performance with choreography. Barnes said, “We perform all over the place for different events. This is our first Memorial Day event. We are the junior G-line for the New York Giants. We started in 2018, but in the past three or four years, we started to get some recognition.”

Members from the NYPD American Legion Post 460 marched, followed by NYPD police officers in a pink car which honored Women’s Veterans Recognition Day. 

The Sacred Heart Twirlers from Sacred Heart Catholic Academy in Glendale performed a routine with their batons.

Walter Rastetter, Assistant Scout Master, led children from Scouts America Troop 427 of the Sacred Heart Parish. He said, “We march every year in this parade.” 

Members of Gotham Volunteer EMS carried the American flag, POW MIA flag, and NYS Excelsior flag. The Middle Village Volunteer Ambulance Unit 7, FDNY Unit 286, and FDNY Unit 135 followed in their respective vehicles.

Police officers from the NYPD Community Affairs, Highway Patrol, and Auxiliary attended the event. The Toys for Tots East Coast Car Connection and members from the Knights of Columbus Council 5103 made appearances at the parade. 

Representatives for Johanna Carmona handed out flyers to promote her campaign for NYS Assembly. Representatives from Wendy Li’s office handed out flyers to promote her campaign for Surrogate Court Judge.

Goeller led a closing ceremony at Myrtle Ave. and Cypress Ave. Desiree Wisotsky sang the National Anthem, joined by attendees who followed the parade to its final stop. Deacon Peter Stamm of Sacred Heart Roman Catholic Church said an invocation and Biordi recited the Pledge of Allegiance.

Queens Borough President Donovan Richards Jr. spoke at the closing ceremony about the housing crisis affecting veterans. He said, “Too many of our veterans come home from serving our country and they do not have access to a home. That is disgraceful. We recommit our work to ensure that you have housing when you come home. We are now undergoing the redevelopment of the [state-owned] Creedmoor site where we pushed for veterans’ housing to be on that site.”

Marissa Corston sang “God Bless America” and Deacon Stamm administered a benediction to end the parade.

The Allied Veterans Memorial Committee of Ridgewood and Glendale plan to hold the 87th parade on May 26, 2025.

Flushing Town Hall Hosts Nibal Malshi Quintet

By Daleelah Saleh | news@queensledger.com

Bashar Farran, Nibal Malshi, and Gilbert Mansour (left to right). Credit: Daleelah Saleh

On Friday, May 17th, Flushing Town Hall hosted the Nibal Malshi Quintet for a concert showcasing music from across the Arab world, including Palestine, Egypt, Syria, Lebanon, and Iraq. 

The concert was part of Flushing Town Hall’s mission to bring global arts to a global audience through world music programming (among other events).

“Flushing Town Hall showcases the talent and cultural traditions of artists from all over the world, as a way to bring people together,” Ellen Kodadek, executive and artistic director of Flushing Town Hall, said in a press release. “We are proud to welcome the extraordinary Nibal Malshi Quintet to our theater. Nibal sees her work as a platform for positive change and a message of peace and humanity.” 

Sami Abu Shumays, the deputy director of Flushing Town Hall, built upon this sentiment: “It’s been an honor to have Nibal here. It’s really important for us to be able to show Palestinians as human beings, as people with culture and music and joy rather than the way that Palestinians are often misrepresented in our media.” 

The event started at 7pm, with an interactive percussion workshop led by Gilbert Mansour, a Berklee College of Music graduate percussionist who has performed with The Lebanese National Symphony Orchestra and has accompanied various renowned Middle Eastern artists around the world. 

Gilbert sat in a chair in front of the stage facing the audience, engaging with them every step of the way. He started out by introducing two of the main percussion instruments played in the Arab world: the riqq, a small, circular drum resembling a tambourine, and the tabla (also known as Doumbeck or Darbuka), a goblet-shaped drum. 

He demonstrated some of the classic iqa’at, or rhythms, that many Arab songs are built around and explained how each rhythm and beat changes regionally. For each new rhythm he introduced, he had the audience practice by clapping it out. Audience members were invited to sing along to the beat and demonstrate dabke, a traditional dance from the Levantine.

Gilbert teaching drum lesson. Credit: Daleelah Saleh

When asked how long he had been playing during an audience Q&A, Gilbert shared that “these instruments have been in me since I was nine years old”. He noted that he used to tap out different beats on a door during the Lebanese war, then learned how to play the tabla once the music conservatory reopened. 

He has been teaching for the past ten years, and loves “connecting people with other countries and seeing people learn something new.”

After a quick break, the curtain opened to Gilbert on stage with his riqq and tabla, as well as Gabriel Dahrieh on violin, Maurice Chedid on oud, Zafer Tawil on qanun, and Bashar Farran on bass. They played an instrumental, then Nibal was met with resounding applause as she walked on stage, donning a traditional Palestinian thobe, with an embroidered design, known as tatreez

She opened the set with “Rajeen ya Hawa” by Fairouz, which translates to “We Are Coming Back, Oh Love.”

Nibal later shared that she chose that song because “We all know what it’s like to miss home. Rajeen is about going back home, longing for your memories, the nature of your homeland, and your bedroom. There’s nothing like home, it hurts us to leave regardless of the reason. You have roots in the land no matter where you go.” She also shared that Fairouz and Umm Kulthum were huge inspirations for her growing up – so naturally it felt fitting to pay an homage to both ofthem in the performance.

Over the next hour and a half, she guided us on a musical journey throughout the Arab world, singing classics from Syria, Lebanon, Egypt, Palestine, and Iraq. She introduced each new region as she went, and invited people to clap and sing along. 

Nibal and quintet. Credit: Daleelah Saleh

The show felt like a gathering of old friends that just so happened to take place at one of the most iconic venues in Queens and include one of the most renowned Palestinian singers. 

“Music is an international language that people can connect to regardless of lyrics,” Nibal said. “Whether or not they knew the song, people were singing and moving together. That’s why no matter how far away from home I am, I don’t feel like I’m a stranger on stage; I feel at home.”

While Nibal currently lives in Dallas, she has played in NYC before. “I always love coming back and everyone knows the music. And it’s always interesting to meet new people and see familiar faces.”

Hailing from Haifa, Palestine, Nibal has always seen music as a way to build bridges and connect people, but shared that over the past 6 months, she has felt the weight of that responsibility even more: “It’s a duty for me as an artist and musician to show the beauty of my culture and people, and I feel like my home shines through me.” 

Gilbert shared this sentiment, saying, “I want to bring awareness to where I’m from, that’s a large part of why I play these instruments and why I teach,” and shared a message to people less familiar with Arab music and culture.

“Listen to our music, come to our concerts, and get rid of the stereotypes of camels and music.”

Nibal Malshi. Credit: Daleelah Saleh

Nibal Malshi. Credit: Daleelah Saleh

Mural Brings Color and Comfort to St. Mary’s Hospital

By MOHAMED FARGHALY mfarghaly@queensledger.com

St. Mary’s Healthcare System for Children recently unveiled a vibrant mural at its Bayside Facility, commissioned by Maspeth Federal Savings and crafted by Splashes of Hope, aiming to uplift patients and families. Courtesy of Maspeth Federal Savings.

St. Mary’s Healthcare System for Children, a nonprofit dedicated to enhancing the quality of life for kids and young adults with special health needs, celebrated the unveiling of a vibrant new mural at its Bayside Facility on May 15. 

Commissioned by Maspeth Federal Savings (MFS) and crafted by Splashes of Hope, a nonprofit organization known for its transformative healthcare murals, the artwork aims to uplift the spirits of patients and their families.

Jill Nicolois, Vice President and Community Affairs Director at Maspeth Federal Savings, shed light on the recent collaboration with St. Mary’s Healthcare System for Children and Splashes of Hope to unveil a new mural. Nicolois highlighted the longstanding relationship between Maspeth Federal and Splashes of Hope, emphasizing their shared commitment to supporting healthcare facilities, particularly during the pandemic.

“St. Mary’s has long been a beacon of hope for the New York City families,” Nicolois said.  “It is our hope that this mural becomes a source of light and healing for patients and their loved ones.”

Nicolois noted the specific details about the mural’s design and its significance to the Queens community. She emphasized the meticulous attention to detail in portraying Queens’ rich tapestry of landmarks and iconic locations, which collectively contribute to the borough’s vibrant spirit.

“Somebody from the hospital requested this theme,” Nicolois said. “They came up with that idea and so as a lifelong Queens, we were able to brainstorm the A to Z Queens locations.”

Nicolois elaborated on the diverse array of Queens landmarks depicted in the mural, ranging from renowned structures like the Unisphere and JFK Airport to local favorites such as the Queens Zoo and the Seven Train. Each element was carefully selected to represent the borough’s cultural and historical significance, offering patients and their families a visual journey through Queens’ storied landscape.

Representing the diverse tapestry of Queens, the mural features iconic landmarks and businesses, highlighting the borough’s cultural richness and celebrating its entrepreneurial spirit, with bilingual elements to reflect the community’s diversity. Courtesy of Maspeth Federal Savings.

The inclusion of representations of local businesses within the mural was also highlighted, underscoring the community’s interconnectedness and the mural’s role in celebrating Queens’ entrepreneurial spirit. From beloved eateries like the Cone Ice King to prominent establishments like Target, the mural serves as a tribute to the diverse economic ecosystem that thrives within the borough.

Additionally, Nicolois pointed out the bilingual elements incorporated into the mural, reflecting Queens’ status as one of the most linguistically diverse places in the world. With portions of the artwork featuring text in both English and Spanish, the mural celebrates the cultural diversity of the community and ensures that all visitors, regardless of language proficiency, feel welcomed and represented.

The decision to commission the mural for St. Mary’s stemmed from Maspeth Federal’s desire to bring light and inspiration to the hospital’s patients and families. Nicolois outlined the collaborative process, which involved visiting the hospital with Splashes of Hope to select a suitable location for the mural and commissioning the artwork at no cost to the hospital.

St. Mary’s Healthcare System for Children, known for its advanced care and specialized services, was described as a lifeline for children with long-term health needs.  St. Mary’s  has been a beacon of hope since its establishment in 1870 as New York City’s first hospital dedicated to severely ill children. Regardless of insurance status or ability to pay, St. Mary’s provides essential care for children who require advanced treatments, serving as a lifeline for countless families.

“As a community bank, our mission is to always try to help those in our community that need help and to complete this mission we need to find partners who share the same vision of helping those that are in need,” Thomas Rudzewick, President and CEO of Maspeth Federal Savings. “St. Mary’s Children Hospital’s mission statement says, ‘We bring big hearts to our little patients,’ so who better to partner with.”

Dr. Edwin Simpser, President and CEO of St. Mary’s Healthcare System for Children, expressed gratitude for the partnership with MFS and Splashes of Hope, emphasizing the positive impact such collaborations have on the hospital’s programs and services.

“With the help of philanthropic support from organizations like Maspeth Federal Savings, our programs and services keep thriving and enriching the daily lives of children at St. Mary’s,” Simpser said.

The unveiling ceremony, attended by representatives from MFS, Splashes of Hope, and St. Mary’s, featured heartfelt speeches and the presence of patients eager to witness the unveiling of the mural, which had been concealed until the event. The event marked the culmination of months of collaboration and planning, with the mural serving as a beacon of hope and inspiration for all who encounter it.

“Today marks another step toward transforming medical spaces from clinical to colorful,” Elizabeth Schafer of Splashes of Hope said.

The collaboration between Maspeth Federal Savings, Splashes of Hope, and St. Mary’s Healthcare System for Children underscores the power of art in healthcare settings, providing comfort, inspiration, and a sense of belonging to those facing challenging circumstances.

To find out more about Maspeth Federal Savings, please visit maspethfederal.com. For information about Splashes of Hope and their impactful community work visit splashesofhope.org.

Maspeth Federal Savings, established in 1947, is among New York City’s oldest mutual savings banks. Committed to providing fee-free, community-centered banking services to individuals, families, and small businesses throughout Queens and Long Island, MFS upholds core values and actively engages with the community. Recognized as a certified Great Place to Work, MFS supports local initiatives through charitable donations and partnerships.

NYC DOT Seeking Artists to Create Five Public Artworks Across the Five Boroughs

By MOHAMED FARGHALY mfarghaly@queensledger.com

NYC DOT Art Program, Community Commissions 2017, ‘Common Demoninator’ by Anthony Heinz May. Courtesy of the NYC DOT.

In a bid to infuse the city with creativity and community engagement, the New York City Department of Transportation (NYC DOT) has announced a call for artists to design temporary public art works across the five boroughs.

Commissioner Ydanis Rodriguez unveiled the initiative, dubbed Community Commissions: Artists Request for Proposals (RFP), as a collaborative effort between the agency and local community-based organizations. The selected artists will have the opportunity to create and install temporary art pieces on NYC DOT infrastructure, including sidewalks, medians, and triangles.

“Public art inspires New Yorkers and beautifies our streetscape, and there’s no better way to amplify and support the mission of these local organizations than collaborating to make our public spaces more vibrant,” said NYC Department of Transportation Commissioner Ydanis Rodriguez. “We encourage all local artists to apply for this unique funding opportunity to produce artwork in their neighborhoods.”

The RFP, open until June 30, 2024, at 11:59 p.m., invites artists to submit proposals for site-responsive artworks. Selected artists will receive up to $20,000 for production costs and other project-related expenses.

NYC DOT has partnered with community-based organizations to facilitate the development of these artworks. These organizations will play integral roles in various project phases, including artist selection, design evolution, community engagement, fabrication, installation, and maintenance.

The designated sites for the artworks span each borough, including the Bronx’s sidewalk at Grand Concourse and East Fordham Road in partnership with Concourse House, Home for Women and Their Children; Brooklyn’s pedestrian space at Washington Avenue and Empire Boulevard in collaboration with I AM Caribbeing; Manhattan’s sidewalk median at Lenox Avenue and 124th Street, partnered with West Harlem Art Fund; Queens’ Diversity Plaza at Roosevelt Avenue and Broadway, partnering with the Rubin Museum of Art; and Staten Island’s Corson Avenue and Victory Boulevard, in collaboration with On Your Mark.

Community Commissions, aims to bring new art onto the streets through collaborations with local organizations. After selecting five organizations and sites across the boroughs, NYC DOT opened an open call for artists to submit proposals for artworks in those locations. Criteria for selecting partner organizations included their capacity to engage in such projects and alignment with the program’s mission. The goal is to bolster community programs and enliven public spaces while reflecting the neighborhoods’ cultural significance.

The program aims to foster enriching pedestrian experiences and draw attention to the missions of partner organizations. NYC DOT emphasizes the importance of connecting artists with organizations to ensure a meaningful reflection of each borough’s identity in the artworks.

NYC DOT Art will display the selected artworks for up to 11 months at the designated community sites, aiming to enrich pedestrian experiences and highlight the cultural significance of each neighborhood.

NYC DOT Art, Community Commissions 2017, ‘Exquisite Corpse’ by Fanny Allié. Courtesy of the NYC DOT.

To provide further insights into the RFP process, NYC DOT Art will host a webinar on June 5, 2024, at 12 p.m. The webinar will cover details about the open call for artists, introduce partner organizations, discuss installation sites, and review the application process.

The Community Commissions initiative underscores NYC DOT’s commitment to fostering cultural vibrancy and community pride through public art. For more information about the program and how to participate, visit www.nyc.gov/dotart and @nyc_DOTArt.

Representatives from partner organizations expressed enthusiasm for the collaboration, emphasizing the potential for these artworks to reflect and enrich local communities.

“The Rubin is excited to partner with NYC DOT Art and an artist to create public artwork in Jackson Heights,” said Jorrit Britschgi, executive director of the Rubin Museum. “As we explore innovative ways to share art outside our walls, this is an important opportunity to make art more accessible and celebrate the rich culture of this diverse neighborhood.”

“I AM Caribbeing is thrilled and grateful to partner with NYC DOT for Community Commissions,” said Shelley V. Worrell, founder and cultural entrepreneur at I AM Caribbeing. “This vibrant art installation will be located adjacent to Caribbean-American communities, small businesses, and culturally iconic landmarks, showcasing the rich heritage and diversity of the area. This collaborative effort will not only beautify the area but also foster community pride, cultural exchange, and economic growth.”

As the deadline for artist submissions approaches, NYC DOT anticipates a diverse array of proposals that will contribute to the cultural fabric of New York City’s neighborhoods. With art as a vehicle for connection and expression, the city looks forward to welcoming these temporary installations as vibrant additions to its public spaces.

50 Ideas for a Stronger, More Equitable Queens

By MOHAMED FARGHALY
mfarghaly@queensledger.com

The Center for an Urban Future (CUF) and the Thomas & Jeanne Elmezzi Private Foundation have released a major new report outlining strategies to create a stronger and more equitable Queens. The report, titled “50 Ideas for a Stronger and More Equitable Queens,” compiles policy recommendations from 50 local leaders aimed at improving access to affordable housing, quality health care, and well-paying jobs, while bolstering neighborhoods across the borough.

The report, funded by a small grant from the Long Island City-based Elmezzi Foundation, was jointly released with them as they support various programs, primarily in Queens.

Jonathan Bowles, Executive Director of CUF, highlighted the organization’s mission to produce thorough, data-driven research that identifies actionable solutions to bolster New York City’s economy and create pathways to the middle class. 

“We wanted to drill down to a more local level,” Bowles said. “This report focuses on Queens, we know it’s the city’s borough of opportunity, it’s probably the most important launchpad to the middle class in New York. But there’s a lot of work to do. There’s a lot of things still needed to capitalize on the borough’s many opportunities to address a lot of a lot of challenges, and to ensure that more of the Queens residents are able to get ahead.”

The report is a follow-up to CUF’s 2022 publication, which offered 150 ideas for city-wide equity. This time, CUF gathered insights from 50 community leaders, including advocates, entrepreneurs, artists, health experts, and educators, asking each to propose a single actionable idea for strengthening Queens. The suggestions range from economic development to affordable housing and cultural promotion.

“We believe that 50 Ideas for a Stronger and More Equitable Queens highlights the many strengths and untapped opportunities in this borough and offers some unique ideas for long term growth and sustainability benefitting residents that call this borough home,” said Pooja Joshi, Executive Director of The Thomas and Jeanne Elmezzi Private Foundation. “The Foundation’s approach has been to directly understand and tap into the needs of the community in order to have a wide breadth of impact. We believe that any solutions unearthed as well as piloted in Queens present far reaching implications not only for the borough but for the City and beyond.”

Contributors to the report include a diverse array of community leaders, educators, entrepreneurs, artists, faith leaders, nonprofit executives, and public health experts. Notable contributors include Kenneth Adams, President of LaGuardia Community College; Frank H. Wu, President of Queens College; Dennis Walcott, President and CEO of Queens Public Library; and Theo Oshiro, Co-Executive Director of Make the Road New York. Their ideas provide a comprehensive roadmap for addressing key challenges in Queens.

One notable idea comes from Seth Bornstein, Executive Director of the Queens Economic Development Corporation (QEDC), who proposed the creation of a community foundation for Queens. Currently, Brooklyn, the Bronx, and Staten Island have their own community foundations that provide funding and grants to local nonprofits.

‘I think that the borough could definitely benefit from having a local foundation, something that is investing in the needs of the borough, and in nonprofits across the borough,” Bowles said.

Reverend Patrick O’Connor, lead pastor of the First Presbyterian Church in Jamaica, advocated for the development of affordable housing specifically for public servants and nonprofit workers. His proposal emphasizes collaboration between the borough president and the Department of Housing Preservation and Development (HPD) to address this issue.

Another innovative idea comes from Yanki Tshering, founder and executive director of Accompany Capital. Tshering recommended hosting “Celebrate Queens” events to draw attention to the borough’s unique businesses and cultural venues. She cited a successful local event as a model, which brought thousands of visitors to local eateries and showcased the area’s diverse culinary offerings. 

Additional suggestions include extending ferry service to Willets Point and LaGuardia Airport, proposed by Tina Lee of Cooper Investors Inc., and establishing new 24-hour communities to attract young professionals, suggested by Melva M. Miller, former CEO of ABNY.

“We know not all 50 ideas will be adopted, but even a handful could make a significant difference in creating a stronger, more equitable Queens,” Bowles said.

Other significant recommendations include instituting an arts and culture tax on new developments to fund local arts organizations, proposed by Sally Tallant of Queens Museum, and facilitating the development of affordable housing on unused land owned by religious institutions, suggested by Ben Thomases of Queens Community House. These visionary ideas aim to create a more vibrant, inclusive, and prosperous future for Queens.

Bowles expressed optimism about the report’s reception among city officials and agencies. 

“We’ve already shared the report with various government offices, including the borough president, city council members, and city agencies,” Bowles said. “Our goal is to spark a conversation and inspire action to implement some of these ideas.”

CUF plans to continue advocating for these proposals through meetings and public forums in the coming months. 

For more information and to read the full report, visit CUF’s website at nycfuture.org. 

“If New York City is going to succeed in creating a more equitable economy, Queens will need to play a starring role. Getting there will require bold new policies and investments that capitalize on the borough’s many opportunities and ensure that more of its residents are able to participate in its growing prosperity. This report provides 50 bold, innovative ideas to create a stronger, more equitable borough – from Flushing to Far Rockaway, Long Island City to Laurelton, and everywhere in between,” Bowles said. 

The CUF and the Elmezzi Foundation recently released “50 Ideas for a Stronger and More Equitable Queens,” compiling policy recommendations from local leaders. 

The report, funded by Elmezzi, suggests initiatives like hosting events to boost local businesses, providing affordable housing for public servants, and expanding ferry service to LaGuardia Airport. 

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