Queens in the City of Lights; Bet You Didn’t Know These Olympians Hail from the Home Borough

Photo Courtesy of @paris2024 on Instagram

By Alexander Bernhardt Bloom | alex@queensledger.com

 

All eyes are on the Ville Lumière this week as the Olympic torches are lit and the 2024 Summer games get underway. 

592 athletes from the United States will compete in the French capital in thirty-four different sports. Some of them you may have heard of. For instance, one four-time Olympic qualifier is also a twenty-time All-Star and four-time MVP in the professional league he plays in at home and would be recognizable by his beard and biceps from the other side of an olympic lap pool. His name is Lebron James, and he will be one of the US flag bearers in the opening ceremonies on Friday. 

Perhaps lesser known, several athletes arriving in Paris this week will nonetheless serve as figurative flag bearers for their home country and their home borough here in New York City too. Here are three of them:

Lauren Scruggs, originally from Ozone Park, will make her olympic debut this week. At twenty-one years old she has already assembled an impressive portfolio as a competitive fencer, and is a stand-out on her university team at her current school in Cambridge, Mass., another one you may have heard of. Last year she earned the NCAA Women’s Foil Champion title representing the Harvard Crimson, and although Scruggs has dedicated herself to fencing seriously, traveling extensively to compete, she remains a full-time student and retains a healthy sense of humor about her life as a competitive athlete, frequently joking about lightsabers and The Princess Bride as sources of inspiration. As an openly-gay African American woman, Scruggs stands to accomplish many firsts and to open many doors as a leader in her sport. Three cheers for Ozone Park.

Also from Ozone Park!: Tahl Leibovitz, who at forty-nine years-old will make his seventh appearance on Team USA this year as a Paralympian Table Tennis competitor. He first picked up a paddle at a Boys & Girls Club in South Queens as a teenager, this during a turbulent moment in his young life, ejected from an unsafe family home, living on the streets and dropped out from school before reaching secondary education. He was pretty good at handling it, – the paddle – he found, and before long he was training and well-trained and gained qualifier in the Paralympic Games in Atlanta in 1996. 

Leibovitz has a bone condition called Osteochondroma which affects cartilage and bone-growth in ways that restrict motion and cause muscle irritation, but you wouldn’t know it to watch him behind the table. He is quick and spritely and explosive, the paddle in his hand a tool he wields nimbly. Like Scruggs, his participation as an Olympian is an occupation adjacent to his other. Leibovitz is a Licensed Clinical Social Worker on his days out of uniform, having returned to school to earn a pair of BAs and MAs each. Three cheers for Ozone Park again.

This will be the first year that Summer Olympians will arrive to the city of international competition under the athletic title Breaker. Sunny Choi will be one of them. You may have heard of one among a string of popular Hollywood films about competitive dance with words like “serve,” “step,” and “stomp” in their titles. These show reverence to a style of dance that emerged in US cities in the 1980’s called Breakdancing, and beginning this year it will be recognized as an Olympic sport. 

Back to Choi, who spent part of her childhood in Tennessee and Kentucky but now lives in Queens and has claimed it as her hometown in her Olympic profile. At thirty-five she is set to appear for the first time, and a bit differently than she had imagined as a child with Olympic dreams. She was a gymnast to begin with, but injuries prevented her from pursuing a career in that sport. As a Freshman at the University of Pennsylvania (more ivy!), Choi discovered Breaking and joined a student club. She continued dancing through an MA at the Business School there and into the beginning of a successful career in Marketing, but she’d go on to leave that career to go after success elsewhere. That appears to have been a sensible choice; last year she was the winner overall at the Pan American Women’s Breaking Competition in Santiago, Chile. The City of Lights awaits.

 

Seeing the Scandinavian Light; A New Home Decor Store in Greenpoint Aims to Do More than Furnish your Living Room

Photo Credit: Alexander Bernhardt Bloom

 

By Alexander Bernhardt Bloom | alex@queensledger.com

 

Natural light comes streaming in through the ceiling windows by day at 34 Norman Avenue. The newly minted commercial space was once a zipper factory, more recently a warehouse for a private owner’s hoards of scraps and refuse. When Caitlin Maestrini, whose Scandinavian furniture showroom opened to the public there on Friday, first took over the lease on the space it had dirt floors.

These have been paved over with smooth, gray cement now, to give a stable setting for the feet of the sofas and coffee tables and storage shelves that populate the 4,000 square feet of store and cafe within 34 Norman Avenue’s walls, the realization of a personal dream for Maestrini.

Now the space beneath the address’s vaulted ceilings is full of soft light and soft furniture, objects that are easy on the eyes and which sit gently in a visitor’s hands. A space as such doesn’t naturally suggest the descriptor cozy, but that is the feeling, more than any other, that Maestrini has achieved there.

A major part of that achievement is in the lighting, and the natural bits of it that spill in through the skylights and broad windows are supported by lamps set up in exhibition about the store, essential to Scandinavian interior decor as they are.

Before she was a furniture store owner Maestrini was a product specialist and education manager with an Italian designer lighting company, and traveled the US teaching sales representatives about the installations they sold. Before that, Maestrini was an educator who taught high school students about the fine arts and expression. In each of these varied stations there seems to have been something central in common: Ms. Maestrini wants to help people better understand how to use design to enhance their lives.

* * *

The Danish concept called hygge (hooe-gah) had its moment of popularity in the US in the 2010’s, and a fair amount of ink had been spilled and a fair number of marketing campaigns mounted, with hygge their focus, long before anyone had uttered the words covid and nineteen together.

The pandemic changed the situation some. Hygge is all about creating cozy spaces and cozy moments, burrowing in with the ones that you love and a glass of wine or hot cocoa under the flicker of candlelight while darkness and terrorizing storms haunt the world outside.

After March, 2020 that sounded just about right. People started investing more in their homes as they increasingly confined in them and many spent the contents of their stimulus checks on carefully selected objects that they hoped would brighten their lives inside and under quarantine.

It was a couple of years before all of this that Maestrini had traveled the constellation of Scandinavian countries north of Europe where she was studying a part of her master’s program in interior design. Her base was London, but she became fixed on the design principles and styles she began to discover further north, – later she would also discover Scandinavian ancestry in her family – and when she made her return to the US the images of Mid-Century Modern furniture and fixtures made it with her.

She founded Teak in 2021, to begin with, in order to bring Scandinavian home furnishings to the US that she hadn’t been able to find here since her return.

* * *

On the afternoon of the day before Teak would first welcome visitors inside its new location the sound of pneumatic drills pierced the interior air. There was the smell of fresh paint and a frenzy of activity as Maestrini and the ten employees who make up her team and a host of others sought to finish stocking shelves and straightening wall hangings and all of the other big and small details that go into making a new place feel like a new home. 

She made her way to a quiet corner and put her phone face down on a coffee table, empty otherwise save for a simple vase with a buoyant bouquet of flowers, and sat on the sofa beside it, one among the models recognizable from the company’s website.

Once a pop-up shop, she’d moved the business to a little storefront space in Greenpoint about a year ago and now in the new, expanded space, – which will include a cafe and Scandinavian-styled deli run by her friend and collaborator Leah Flannigan – Maestrini felt Teak could finally set down and realize its real purpose.

“There are two main missions:” she explained, looking out into the room heaped with imported domestic products, “Educate people on hygge and Scandinavian lifestyle, and inspire them to create a beautiful space at home.”

“This place, New York, is chaotic,” she went on, “we’re always in a rush, we’re always in chaos – when I come home I just want a place to decompress.”

It was a notion not incongruous with the New Yorker mentality, Maestrini argued, even if the focus on minimalist, utilitarian living often called for in hygge seems to be at odds with New York’s striving, competitive, race-to-the-top attitude.

“When you’re trying to survive in this city you still need a place to land at the end of the day.”

Her project, she would allow, does in any case present some quietly transgressive ideas. To begin with, it is a physical showroom in the digital age, a brick and mortar store to which people are invited to come to touch and spend time with the things they might otherwise click on and have delivered. 

Also, the products Maestrini and her team sell are meant to last, nothing of the turn-and-burn of conspicuous consumption of goods Americans generally use in their households and otherwise. 

“In Scandy countries you would save for the pieces that you knew that you wanted to have in your home,” finally buying them with purpose and treating them with care. “You would have people passing down furniture to you, and you would also be buying your chairs and your tables and things to ultimately pass down to someone else as well.”

Maestrini’s is a woman-owned and led business focused on equitable pay and direct-sourcing from other small business manufacturers and artisans. The furniture and products her shop sells in turn are far from cheap, but they’re meant to be used a great deal and to last and each has a story to tell.

More important than anything, she explained, is the importance of changing peoples’ perspective on domestic life. Hygge encourages simple comforts and physical togetherness which are often missing in the age of increased isolation and virtual narcissism and vicarious living through screens and headsets. A home shouldn’t be just for crashing, a home shouldn’t be a lonely place, according to the hygge principles.

Ever the educator, Maestrini returned the meandering conversation to its origin question, objective: “I’m here to talk to New Yorkers about small space solutions, to talk to New Yorkers about Hygge. I want people to create a home that they’re happy with, where they feel cozy, where they feel calm.” 

We might yet see our domestic space in a different light.

 

Photo Credit: Alexander Bernhardt Bloom

Photo Credit: Alexander Bernhardt Bloom

Photo Credit: Alexander Bernhardt Bloom

 

Photo Credit: Alexander Bernhardt Bloom

 

Photo Credit: Alexander Bernhardt Bloom

 

Photo Credit: Alexander Bernhardt Bloom
Leah Flannigan serves cardamom buns freshly-baked from the cafe side of the store, Falu.

Photo Credit: Alexander Bernhardt Bloom

 

Photo Credit: Alexander Bernhardt Bloom

 

Photo Credit: Alexander Bernhardt Bloom

 

Photo Credit: Alexander Bernhardt Bloom

 

Photo Credit: Alexander Bernhardt Bloom

 

Raise High the Roof Beam, Carpenters; Williamsburg Feast Marks Another Year

 

Photo Credit: Alexander Bernhardt Bloom

 

By Alexander Bernhardt Bloom | alex@queensledger.com

 

Many hands make light work, as we know, but not that light when it comes to the lifts required for the Dancing of the Giglio at the Feast of Our Lady Mount Carmel in Williamsburg. 

The Giglio weighs upwards of four tons, and towers upwards of seventy feet above the heads of the celebrants come to see it. The broad shoulders upon which it rests, – the Giglio marching, turning on a point, and bouncing to the rhythm of the brass band riding on top – have been carrying it for more than half a century. The Feast and festival have been celebrated on those streets in North Williamsburg for more than a whole one.

It is a major undertaking that is entirely powered by people. Calloused arms extend over flaming grills to tend to sausages and shish kebabs, and conduct sets of tongs in their labor of stuffing sandwiches. Fingers pinch the ends of hand-rolled cigars to safely set their other sides aflame. Others cradle icy oysters waiting to be shucked, while watchful eyes supervise gurgling deep-fryers applying the proper brown to fennel cakes and hunks of calamari.

They are human voices, at high volume, which direct the movement of the mammoth object of devotion that is the Giglio, which brings us back to the sets of broad shoulders which bear its weight.

The participants and patrons of the Mount Carmel Feast have changed year by year during the course of its long history, more so in recent decades, when Williamsburg took a decided turn from the working class neighborhood of immigrants it was to become a chic, hip, desirable one for young professionals.

The organizers of the Feast have made it their work to maintain tradition, but also to integrate the people in the neighborhood whoever they be. And so the faces and foods and music at the street fair have become more diverse. The Masses offered on the days of celebration are held in five different languages. Kids and grandmothers and handlebar-mustached hipsters play skeeball at adjacent stools, the work and play and piety they all join in possessed by many hands.

Photo Credit: Alexander Bernhardt Bloom

 

Photo Credit: Alexander Bernhardt Bloom

Photo Credit: Alexander Bernhardt Bloom

 

Photo Credit: Alexander Bernhardt Bloom

Photo Credit: Alexander Bernhardt Bloom

Photo Credit: Alexander Bernhardt Bloom

Photo Credit: Alexander Bernhardt Bloom

Photo Credit: Alexander Bernhardt Bloom

 

Photo Credit: Alexander Bernhardt Bloom

 

Photo Credit: Alexander Bernhardt Bloom

Photo Credit: Alexander Bernhardt Bloom

 

Photo Credit: Alexander Bernhardt Bloom

 

Photo Credit: Alexander Bernhardt Bloom

 

Photo Credit: Alexander Bernhardt Bloom

Woodhaven Celebrates a New Mental Health Clinic

By Celia Bernhardt and Olivia Graffeo | news@queensledger.com

Dozens packed the lobby of Woodhaven’s new behavioral health clinic on July 18, celebrating the new Catholic Charities Brooklyn and Queens-operated center with a ribbon cutting. Borough President Donovan Richards, State Senator Joe Addabbo, and State Assemblywoman Jennifer Rajkumar were among those who praised the new facility. 

Named after longtime Catholic Charities Brooklyn and Queens collaborator Joseph Collins III, the Joseph F. Collins Catholic Charities Behavioral Health Center for Children and Families will serve as an open-access mental health care clinic for families and individuals ages five and older. Clients should be able to walk in and receive services that same day — programs include individual, group and family therapy, medication managements, a specialized medication-assisted treatment program for opioid addiction, and more. Clinicians, peer staff, social workers and psychiatric nurse practitioners will work on site; patients can also opt to use telehealth. 

While Collins made his career in finance, his wife spent her life as a social worker in Queens, making the opening of this clinic close to their hearts.

“It’s right in the center of Queens. So imagine how many people they can take care of. It’s incredible,” Collins said. “ It really deals with the people that need it the most, too. And that’s what’s important as far as I’m concerned.”

Speaking to the crowd, Borough President Richards emphasized the importance of community mental health services in the wake of Covid-19’s impact. 

“For years, many of our children were prevented from really having normalcy,” Richards said. “They couldn’t go to school. They eventually made it outside, back into the parks, but many of our children couldn’t walk across the graduation stage and even receive their diplomas. So the impact on our children’s mental health has been severe.”

Catholic Charities Brooklyn and Queens has a network of similar clinics in Jamaica, Rockaway, Corona and Flatbush. Holly Jaskiewicz, Director of Field Operations at Catholic Charities Brooklyn and Queens, said the need for services is high. 

“I just spoke to a parent yesterday who was really complimentary of our services,” Jaskiewicz said. “She went somewhere elsehere, there was long wait, there was in a lot of paperwork — but when they walked in [here], we just saw them right away.” 

Richards said that bringing mental health care resources to Southeast Queens in particular was an important endeavor.

“Your socioeconomic status, your zip code, your immigration status shouldn’t be a determinant on whether you have access to health care, and especially mental health services,” Richards said. “This is one of those communities that still needs a lot of assistance in filling those gaps, so having Catholic Charities land the plane here is huge for this community.”

Rajkumar expressed gratitude for Catholic Charities for their work in her district during the height of the pandemic. 

“I’ll never forget calling Catholic Charities, and right away, Catholic Charities saying, ‘We are there for you. Let us know who is going hungry, and we will get them their food,’” Rajkumar said.

Queens Parents Sentenced in Historic Child Endangerment Case After Teen’s Fatal Crash

By MOHAMED FARGHALY | mfarghaly@queensledger.com


Parents of a 16-year-old in Queens have been sentenced for child endangerment after their son, driving illegally in a BMW, caused a fatal crash that killed 14-year-old Fortune Williams, highlighting unprecedented legal consequences for enabling underage driving. Photo courtesy of TruthinBytes Twitter 

In a groundbreaking case, the parents of a teen driver were sentenced on child endangerment charges after their son allegedly killed a 14-year-old girl in a high-speed crash. This marks the first time parents have been convicted on such charges in Queens County, and it is believed to be the first prosecution of its kind in New York State.

Fortune Williams, 14, was killed in May 2023 after being ejected from a BMW driven by the 16-year-old at over 100 miles per hour. The tragic incident occurred when the BMW collided with a UPS truck, leading to Williams’ death from severe head trauma at the scene.

“The parents of a 16-year-old gave their son a BMW when he did not

have legal authority to drive it anywhere in New York City,” DA Katz said. “We allege that because of that teenager’s actions, 14-year-old Fortune Williams is now dead after she was thrown from the car when it crashed into a UPS truck at more than 100 miles an hour. With this conviction, we have shown that the culpability in a fatal crash can go beyond the driver. Parents who provide vehicles to their children and let them drive illegally can be held responsible in the case of tragedies such as this one. We will continue to seek justice for Fortune Williams and her grieving family.”

The defendant’s father confirmed he had purchased the BMW for his son, despite knowing the legal restrictions on his driving privileges. Prior to the fatal incident, the teenager had been witnessed driving the BMW to school, received a citation for driving without a license, and had a history of traffic violations. These circumstances underscore a tragic outcome stemming from underage driving and parental oversight, prompting legal repercussions for enabling such risky behavior.

The teen’s father, Sean Smith, 40, of Springfield Gardens, pleaded guilty to endangering the welfare of a child and was sentenced to three years of probation, along with mandatory parenting classes and attendance at the Victim Impact Panel Program. 

The teen’s mother, Deo Ramnarine, 43, also pleaded guilty to endangering the welfare of a child and disorderly conduct. She will undergo the same programs, with the possibility of withdrawing her plea if she completes them successfully.

The teen driver, whose name is being withheld because of his age, now 17, faces multiple charges including manslaughter, assault, reckless endangerment, and driving without a license. His case is ongoing, and he could face up to 15 years in prison if convicted of the top count.

According to the investigation, on May 17, 2023, the teen was driving westbound on North Conduit Avenue near 160th Street at a speed calculated at 101 miles per hour, far exceeding the 30-mile-per-hour speed limit. Losing control of the vehicle, he crashed into a parked UPS truck, resulting in the fatal ejection of Williams from the car. A UPS employee was also injured in the crash.

The investigation revealed that the teen had a junior driver’s license prohibiting him from driving in New York City. Despite this, his father admitted to buying the BMW for his son and allowing him to drive. Witnesses from the teen’s school reported seeing him driving the BMW regularly, and he had been ticketed for driving without a license prior to the crash.

Assistant District Attorneys Erin Mullins and Joseph Randazzo are prosecuting the case under the supervision of Assistant District Attorneys Michael Whitney and Roni C. Piplani, with support from the Vehicular Homicide Unit.

This first of its kind case highlights the potential legal consequences for parents who enable underage and unlicensed driving, underscoring the broader implications of parental responsibility in such tragic incidents.

NY Attorney General Indicts Five in Major Gun Trafficking Bust in Queens

By MOHAMED FARGHALY | mfarghaly@queensledger.com


New York Attorney General Letitia James announced a significant indictment against five individuals accused of operating a gun trafficking ring in Queens. Courtesy of Office of New York Attorney General Letitia James

New York Attorney General Letitia James on July 17 unveiled a 625-count indictment against five individuals accused of running a gun trafficking operation that distributed numerous ghost guns, assault weapons, high-capacity magazines, and hundreds of rounds of ammunition in Queens.

The investigation, spearheaded by the Office of the Attorney General’s (OAG) Organized Crime Task Force (OCTF), resulted in the recovery of 86 firearms – including 55 ghost guns and 25 assault weapons – as well as over 90 high-capacity magazines and hundreds of rounds of ammunition. The suspects transported 3D-printed ghost guns assembled in Nassau County and serialized firearms purchased in Indiana into Queens, where they were stored and sold.

The investigation, conducted jointly by state and federal agencies, led to the seizure of 86 firearms, including ghost guns and assault weapons. The investigation led to the seizure of 86 firearms, including ghost guns and assault weapons. Courtesy of Office of New York Attorney General Letitia James

The takedown resulted from a collaborative investigation between OCTF, Homeland Security Investigations (HSI) New York, and the New York City Police Department (NYPD). The probe included controlled firearms purchase operations, covert video surveillance, social media monitoring, and analysis of financial and telephone records.

“When gun traffickers flood neighborhoods with untraceable firearms, they fuel violence that tears communities apart,” said Attorney General James. “This investigation successfully stopped a dangerous gun trafficking operation by removing dozens of ghost guns and assault weapons from our streets. I will continue to use every available resource to stop illegal gun trafficking and protect our communities from the dangers of gun violence. I thank our partners in this investigation for their diligent work to keep New Yorkers safe.”

Launched in late 2023, the investigation focused on the activities of Satveer Saini and his associates: Mateo Castro-Agudelo, Hargeny Fernandez-Gonzalez, Adam Youssef Senhaji-Rivas, and Milanjit Sidhu.

Saini, Fernandez-Gonzalez, and Senhaji-Rivas spent over $27,000 to buy firearms from Indiana, where gun laws are less stringent compared to New York. Early in the investigation, Saini and Castro-Agudelo were stopped for speeding by the Ohio State Highway Patrol in Medina County, Ohio, while transporting weapons from Indianapolis to Queens. This stop led to the recovery of nine unloaded serialized handguns from Saini’s rental car. Subsequently, Fernandez-Gonzalez began paying Sidhu to transport weapons from Indianapolis to Queens.

Fernandez-Gonzalez also procured 3D-printed ghost guns in Nassau County and transported them to Queens for other members of the trafficking ring to sell. Saini, Castro-Agudelo, and Senhaji-Rivas sold the trafficked firearms, high-capacity magazines, and ammunition throughout the investigation.

Saini sold these firearms at various locations in Queens, including Louis C. Moser Playground in Jackson Heights and the parking lot of Queens Center Mall in Elmhurst. Castro-Agudelo and Fernandez-Gonzalez used a garage in Elmhurst to store weapons, at one point concealing twelve firearms – including seven ghost guns – and numerous high-capacity magazines inside a guitar case. Castro-Agudelo utilized the guitar case to transport firearms and ammunition to his customers, with at least one sale occurring outside a smoke shop in Jackson Heights where he worked.

Castro-Agudelo posted pictures of these guns on social media accounts, including a publicly available X (formerly Twitter) account, displaying many of the guns and significant amounts of cash.

The five individuals charged are; Hargeny Fernandez-Gonzalez, 20, of Richmond Hill, Satveer Saini, 20, of East Elmhurst, Adam Youssef Senhaji-Rivas, 20, of Astoria, Milanjit Sidhu, 20, of Greenwood, IN and Mateo Castro-Agudelo, 21, of Long Island City. 

Each defendant faces charges of Conspiracy in the Fourth Degree, Criminal Sale of a Firearm in the First Degree, and/or Criminal Possession of a Firearm in the First Degree. If convicted, they face up to 25 years in prison.

“The defendants are accused of amassing a cache of illegal high-powered rifles, handguns, and semiautomatic weapons that could have undoubtedly been used to promote violence and further cause irreparable devastation,” HSI New York Special Agent in Charge Ivan J. Arvelo said. “They allegedly displayed sheer disregard for the public’s safety, and placed their own selfish gain above all else. HSI New York’s LaGuardia Airport Border Enforcement Security Task Force has stood at the front lines of combatting the gun violence epidemic, and utilizes every tool and resource in its arsenal to do so. I commend the New York Attorney General’s Office, the NYPD, and our law enforcement partners for ensuring the safety of New Yorkers every day.”

This case is the latest in Attorney General James’ ongoing efforts to stop illegal gun trafficking. In April 2024, she announced the indictment of four individuals for selling ghost guns and other firearms in Central New York. In March 2024, she secured a $7.8 million judgment against gun retailer Indie Guns for illegally selling ghost gun components in New York. In February 2024, she announced the takedowns of a gun trafficking network that sold ghost guns and assault-style rifles and a narcotics trafficking network in Dutchess County. 

In December 2023, she and the New York State Police indicted a Manhattan man for trafficking guns and narcotics. In March 2023, she announced the takedown of a ghost gun and narcotics trafficking operation in New York City.

“These charges highlight law enforcement’s relentless efforts to rid our streets of untraceable ghost guns and other illegal firearms, leading to New York City’s ongoing reductions in shootings and homicides this year,” said NYPD Commissioner Edward A. Caban. “Simply put, our investigators save lives when they disrupt and dismantle the dangerous networks behind the manufacture, transport, and sale of these illicit weapons. I commend and thank the New York Attorney General’s Office and all of the NYPD’s local, state, and federal partners for their hard work on this important case and their continued dedication to our shared public safety mission.”

 

JFK Terminal 6 to Feature 18 New Art Installations by 2026 By City Artists

By MOHAMED FARGHALY | mfarghaly@queensledger.com


The Port Authority and JFK Millennium Partners have chosen 18 artists for JFK Terminal 6’s art installations. Photo courtesy of the Port Authority of New York and New Jersey

The Port Authority of New York and New Jersey, in collaboration with JFK Millennium Partners (JMP), has announced the selection of 18 artists to create permanent art installations for the new Terminal 6 at John F. Kennedy International Airport. Scheduled to open in 2026, the $4.2 billion terminal will feature a variety of artworks, including sculptures, suspended installations, wall works, and glass mosaic floor medallions. These installations, curated by the Public Art Fund, aim to encapsulate the spirit of New York and enhance the passenger experience.

Part of a $4.2 billion redevelopment aiming to transform JFK into a global gateway with a unique New York flair by 2026. Photo courtesy of the Port Authority of New York and New Jersey 

This initiative supports the Port Authority’s broader vision of transforming JFK into a world-class gateway, with the Terminal 6 project being a key component of the airport’s $19 billion overhaul. The new terminal will seamlessly integrate with the airport’s modernized infrastructure, which includes two new terminals, expanded existing terminals, a new ground transportation center, and an upgraded roadway network.

“Public art that is inspiring and evocative of our region is an essential part of the Port Authority’s strategy to create world-class airports that are becoming destinations in their own right,”  Port Authority Executive Director Rick Cotton said. “Just as we have done at LaGuardia and at Newark-Liberty’s Terminal A, the public art at JFK’s new Terminal 6 will dazzle travelers and help create a sense of place unique to New York.”

The featured artists, hailing from New York City and beyond, were chosen for their ability to reflect the diverse and dynamic nature of the region. The selected works will contribute to creating a distinctive New York atmosphere within the terminal, reinforcing JFK’s role as an international cultural gateway.

“These remarkable artists will bring the unique spirit of our region to the new JFK Terminal 6, welcoming international visitors and locals alike,” Port Authority Chairman Kevin O’Toole said. “We applaud the creative vision of these talented artists and look forward to seeing their creative works transform the terminal.”

The art installations are part of a comprehensive effort to elevate the overall passenger experience at JFK, mirroring successful initiatives at LaGuardia and Newark Liberty International Airports. Terminal 6 will be developed in two phases, with the first section set to open in 2026 and construction slated for completion in 2028. 

Nicholas Baume, Artistic and Executive Director of the Public Art Fund, discussed the organization’s involvement in various public art projects throughout New York City, emphasizing their mission to make art accessible to everyone since its founding in 1977. The Fund has collaborated on significant infrastructure projects, including Boston’s and LaGuardia’s Terminal B and Newark’s Terminal A, which led to their partnership with the developers of JFK’s Terminal 6.

The Public Art Fund curates exhibitions at several notable locations in New York, such as City Hall Park, Doris C. Freedman Plaza, and Brooklyn Bridge Park. They also feature art on bus shelters in New York City, Boston, and Chicago. These exhibitions range from site-specific installations to unique projects, like Ai Weiwei’s “Good Fences Make Good Neighbors” and Tauba Auerbach’s painted fireboat “Flow Separation.”

For the JFK Terminal 6 project, artists were selected to reflect the diversity and vibrancy of New York City and the United States, considering JFK’s role as a global gateway in one of the most diverse regions. The selection process involved multiple phases, where artists developed proposals, and some have already begun the fabrication process. The 18 chosen artists will create a variety of works, including floor and wall pieces, sculptures, and installations integrated into the architecture, all scheduled for completion by 2026.

“Our mission is to bring the experience of art and the city together to make that accessible to everybody throughout the city and beyond, free of charge,” Baume said. “They express the spirit of New York City, a place of creativity and invention and originality, a magnet for creative people from all over the world.” 

Baume hopes the artworks will convey the spirit of New York City, showcasing its creativity, diversity, and originality. He envisions the collection as a narrative that welcomes visitors to experience the vitality of contemporary New York, with many of the artists being local or having made New York their home, thus reflecting the city’s dynamic cultural landscape.

“I’m excited that a lot of the artists are New York-based artists, including Queens,”Baume said. “It captures a lot of the experience of many of us who are in or around New York.”

Hersh Parekh, Head of Government and Community Relations for the Port Authority, oversees operations involving government and community relations. His role focuses on collaborating with partners at various governmental levels and community organizations, ensuring the benefits of large capital projects like the JFK redevelopment reach the local community. Parekh emphasized the importance of maintaining open communication and fostering partnerships with local entities, including minority and women-owned businesses.

The Port Authority is overseeing the $19 billion redevelopment of JFK through public-private partnerships, including the $4 billion Terminal 6 project. Parekh described the collaborative effort with JFK Millennium Partners and the Public Art Fund to curate the selection of 18 artists for Terminal 6. This partnership builds on a successful precedent set at LaGuardia’s Terminal B. The selection process involved reviewing hundreds of artists to ensure a vibrant, civic presence and a unique New York sense of place in the new terminal.

“The Port Authority and JFK Millennium partners worked with the Public Art Fund to curate the artists that were selected,” Parekh said. “We reviewed hundreds of artists and narrowed it down to this group of 18.”

Addressing challenges, Parekh highlighted the difficulty of maintaining airport operations while undergoing significant construction. Ensuring the project remains on schedule and minimizes disruptions for travelers is a primary concern. 

“These pieces of art will show you that you’ve arrived in New York,” Parekh said. “Whether it’s a direct reference to New York landmarks or a subtle nod, it’ll be clear that JFK is in New York. It’s creating that sense of civic presence. This is not just a transportation facility; it’s a place where people can experience some of the finest artwork you might see anywhere in the world.”

Parekh expressed hopes that the artworks in Terminal 6 will inspire and uplift travelers, conveying a strong sense of New York’s cultural identity. The art will not only mark JFK as an entry point to the United States but also clearly establish it as a gateway to New York City. This integration of art aims to create a memorable and enriching experience for passengers, reinforcing the city’s pride and character from the moment they arrive.

“We’re very excited for when these art installations are fully built,” Parekh said. “It’ll be a fantastic experience from curb to gate, and this artwork will be a great contributing factor to that experience.”

Queens Foundation Supports Workforce Development Amid Gentrification

by Mohamed Farghalhy | mfarghaly@queensledger.com 


The Thomas and Jeanne Elmezzi Private Foundation, rooted in the American Dream’s promise, aims to empower individuals in Long Island City and Astoria through workforce development, educational attainment, and medical research. Photo courtesy of the Elmezzi Foundation 

The Thomas and Jeanne Elmezzi Private Foundation, rooted in the American Dream’s promise, aims to equip individuals with the tools and support needed to achieve their potential. This vision, established by Thomas and Jeanne Elmezzi, focuses on workforce development, educational attainment, and medical research, particularly benefiting those in the Long Island City and Astoria areas.

“We are all about helping people develop skill sets they can continue to use throughout their life,” Joshi said. “For example, teaching people how to install solar technology not only trains them in specific skills but also helps them develop career pathways.”

Founded on the belief that everyone deserves the chance to pursue their dreams, the Foundation addresses challenges including physical, medical, economic, and educational barriers. It funds programs that directly improve individual lives through innovative program design and development. 

“For years, we were funding programs in educational attainment, academic achievement, and youth development,” Joshi said. “Recently, we’ve been focusing on economic mobility for residents who haven’t had that kind of access or support.”

The Foundation’s mission emphasizes measurable impacts on the quality of life, with a commitment to the socio-economic upliftment of Western Queens neighborhoods.

“We’ve been focused on workforce development programs that benefit residents in this community,” said Pooja Joshi, Executive Director of the Foundation. “Our interest is making sure that people who graduate from these programs don’t just get any job, but get family-sustaining jobs.”

In addition to workforce initiatives, the Foundation has two notable endowments: the Jeanne Elmezzi Adult Learning Center at Queens Library in Long Island City and the Elmezzi School of Molecular Medicine at Northwell Health in Great Neck, Long Island. These initiatives reflect the Elmezzis’ dedication to giving back to their roots in Astoria.

“The whole idea of giving back to this community is about coming back to their roots and making a difference here in this space,” Joshi said.

The Foundation’s recent efforts include the Elmezzi Career Fellows Program at LaGuardia Community College, offering paid internships and dedicated academic advising to students, many of whom are the first in their families to attend college. This program aims to bridge the gap between education and employment, especially for low-income BIPOC youth in Western Queens and beyond.

“We’ve established the Elmezzi Career Fellows Program at LaGuardia Community College, a paid internship program supporting students, many of whom are first in their family to explore higher education,” Joshi said. “A lot of these young people don’t have the opportunity to be exposed to internships, let alone paid internships. So, we’ve been funding this program to expose students to higher education and connect their education with their work prospects.”

Through annual grants exceeding $3 million, the Foundation continues to support programs that demonstrate clear strategies for serving community needs and achieving measurable outcomes. “We want to ensure that all community members, regardless of their socio-economic status, have access to opportunities for self-sufficiency and improved quality of life,” Joshi added.

The Foundation’s commitment to the community remains steadfast amid the rapid changes and gentrification in Astoria and Long Island City. By funding programs in education, job training, and medical research, the Thomas and Jeanne Elmezzi Private Foundation strives to uphold the founders’ vision of empowering individuals to lead independent and productive lives.

For more information, visit the Foundation’s website at elmezzi.org or explore their
latest updates in the blog section.

Local Candidates Rally Against ‘City of Yes’ Housing Plan in Rosedale

by Marcus Ramos

Yiatin Chu (far left), Michael O’Reilly (center left), Paul King (center right), Dwayne Moore (second from right), and Curtis Sliwa (far right) gather in Rosedale to voice their opposition for “City of Yes”. Photo by Marcus Ramos

 

As part of his congressional campaign, Paul King held a joint press conference in Rosedale, Queens, where he, alongside fellow public office candidates Michael O’ Reilly, Dwayne Moore, Yiatin Chu, and Curtis Sliwa voiced their opposition for Mayor Adams’ “City of Yes” housing plan. The event, which was attended by around 15-20 of the area’s local residents, brought to light concerns about the plan’s impact on the local community and the broader Queens borough.  

 Held at the intersection of 149th Avenue and Hook Creek Boulevard, the press conference drew local residents interested in understanding the potential consequences of “City of Yes.”

The “City of Yes” plan, established by the NYC Department of City Planning, is an effort to solve the current housing crisis through rezoning and policy reforms. The goal is to build approximately 108,850 new housing units over the next 15 years across the city, creating new rentals for New Yorkers while driving down rent prices. The plan includes measures to streamline the development process, encourage mixed-use developments, and increase the availability of affordable housing units across the city. 

Members of the Adams administration have argued that implementing the plan would create more inclusive and sustainable neighborhoods. 

The diversity of our neighborhoods makes New York City remarkable, but without truly affordable housing in every corner, we risk losing families, working people, and our defining vibrancy,” New York City Department of Housing Preservation and Development Commissioner Adolfo Carrión Jr said at a press conference on April 29. “It’s time for bold action to ensure housing equity across all neighborhoods.”

Despite these assurances, the GOP candidates in attendance oppose the plan, citing concerns of the potential negative impact it could have on the community at large.

Local resident and mother of Dwayne Moore, Kangela Moore, expressed her opinion on “City of Yes” before the speeches began.  

“I mean, they’re creating these little areas where you have high rise buildings and things of that nature,” Moore said. “And as you see, we’re like two family homes, one family homes, and that would be devastating in regards to the structure of the community. So I’m not in favor of it, and it needs to be voted down.” 

The first to speak was candidate for New York State Senate District 10, Michael O’ Reilly, stating that the housing plan is a counterintuitive plan of action that will only add on to the existing problem instead of providing a solution.  

“Now, let’s be clear, this whole ‘City of Yes’ notion came about when Mayor Adams realized that we have a housing shortage.” O’Reilly said. “On the other hand, he entices tens of thousands of people to come up and make our community their new home, tens of thousands of illegal aliens to come up here and make our community their new home. So we have his realization that we have a housing shortage, he’s inviting all these people up here.” 

Following this speech was Dwayne Moore, New York State Assembly candidate for District 29. He criticized the plan for increasing neighborhood congestion and overburdening local infrastructure.

“Who would want our neighborhood to be more congested? If a house across the street was to get knocked down, they’d be able to build a 16-unit apartment with no parking mandate, with no studies done to improve the schools for the upgraded density that we’ll be having,” Moore said. “There’s no plan to improve the sewage, the flooding, but yet they’re trying to cram this down our throat. Why? What is the purpose behind this?” 

 Next to speak was Yiatin Chu, candidate for New York’s 11th Senate District. She argued that Adams’ efforts to alter New York’s suburban communities should be redirected towards strengthening support for the city’s infrastructure and essential services.

“We need major investments in sewer lines, electrical capacity, road work, schools and more,” Chu said. “With Albany’s new class size law, we cannot even accommodate kids in our local schools today. How will we support more families moving in? Over the weekend, the mayor and the city council agreed on a budget that’s $6 billion more than last year, yet there were no provisions for infrastructure or essential services like additional police precincts or fire stations.” 

 Afterwards, congressional candidate Paul King then took to the podium, expressing his discontent for “City of Yes”, painting it the antithesis to the American dream.  

 “Now, let’s face it, more than any other place in America, Queens, New York represents the American dream, whether your family’s been here for generations, or whether you’re first generation, or whether you’re legal immigrants.” King said. “The developers know when this comes down, if it gets passed, it’s going to be the Wild West. They could scoop up a property like mine, knock down my 100-year-old two-family house and put up eight, nine, 12 units in that same space, which will ruin quality of life for the neighbors. It’ll take my neighbor’s property values down and great, the developers can scoop them up too and make even more money . . . This YIMBY movement is an unholy alliance between activists who don’t believe in the American dream and developers who want to get rich destroying our American dream.” 

Former mayoral candidate Curtis Sliwa concluded the array of speeches with a call to action to fight against “City of Yes” to maintain the identity of New York.  

“Manhattan is Manhattan, we don’t need Manhattan in the Bronx,” Sliwa argued. ”We don’t need Manhattan in Queens, in Brooklyn and Staten Island . . . I believe we improve, we don’t move. We fight the powers to be at City Hall. We fight the realtors. We fight the developers because they don’t give a damn about us. They give a damn about one thing, money, profit and screw you. We’ll give you money for your home and get the hell out of here too. So we either fight for where we grew up, our birthright, what our parents brought us here to do, and grandparents or we just pack up and move out to a place where you can have a home with a front yard and a backyard.”

MoMA PS1 Warm Up Concert Series Kicks Off 26th Season with Electrifying Performances

by Marcus Ramos


Musical duo Gatekeeper during their set, photo by Marcus Ramos 

The MoMA PS1 Warm Up concert series returned for its 26th season on July 12, and will be running every Friday until August 16 from 4-10 P.M. Continuing its tradition of celebrating diversity in the music space, the event will host a wide array of artists both local to New York and from around the globe. 

 This year’s lineup includes artists such as KIM ANH, a staple in the queer dance music scene here in New York; Johnny Dynell, a renowned DJ and producer in New York’s nightlife; Ash Lauryn, a rising star in the Atlanta house music community; and Kode9, the influential founder of the Hyperdub label. The event takes place in the museum’s courtyard space, with the steps leading to the entrance of the museum housing the stage where each DJ performs their set. This year the museum is open during the festival, allowing attendees to enter and view exhibits as they please. 

The day one lineup consisted of DJ Miss Parker, a Brooklyn-based DJ known for their versatile sets; Gatekeeper, a musical duo known for their immersive audiovisual experiences; Johnny Dynell, whose career spans over three decades in the New York club scene; and KIM ANH, who brought her vibrant energy to end off the first night in high spirits. 

Hundreds of New Yorkers attended, all expressing their love and appreciation for the art of music. Throughout the event, the attendees matched the high energy each DJ presented in their sets, dancing and celebrating well into the night. The vibrant energy in the air never faltered, with each artist receiving resounding applause as they closed their sets.

Photo by Marcus Ramos 

The Warm Up concert series, while bringing in artists from across the world, remains a New York-based event at its core, dedicated to uplifting the city’s culture. As each of the day one performers hails from New York, they were asked to comment on what the Warm Up event means for the community. 


DJ Miss Parker, photo by Marcus Ramos

DJ Miss Parker:

What does it mean to be part of an event that highlights the culture of New York’s music scene?


Parker: It is an honor to be part of the Warm Up series, an event that highlights artists cross-generationally and culturally. It means that my work is making an impact and is seen as a contribution to the culture of New York City. But most importantly I love the craft of DJing so much that it’s an honor to be able to play on the same stage as artists from past years that have influenced much of my music tastes and ways of sharing music, like NYC legends Afrika Bambaataa, Frankie Bones.

How do you think this event will support the music scene here in New York, do you think it would elevate Queens’ profile as a cultural hub?  

Parker: This event has always had its finger on the pulse of what is happening underground in New York City and in online music circles, so I really think this event opens people up to new and revolutionary sound.  I definitely think this event will help elevate Queen’s profile as a cultural hub. Queen’s is now one of the hottest places to hear dance music in the world and I see this more and more since Covid restrictions lessened. Artists are coming from all over the world to perform in Queens.

Do you think this event will encourage more and more young creatives to enter the scene themselves and express their identities? 

Parker: It for sure will. I am team “representation matters”, especially within esteemed institutions. I don’t think I would be where I am as an artist if I didn’t see examples of other Black Queer artists doing the things I wanted to do. I hope there is a kid out there that sees me and goes wow I want to be able to express myself like them because not everyone has that growing up as a Queer child. Everyone has a voice that should be heard.  



Johnny Dynell, photo by Marcus Ramos

Johnny Dynell:
What does it mean to be part of an event that highlights the culture of New York’s music scene?



Dynell: I moved to New York from a very small town. I immediately saw that this city was a very fierce lady and that she would spit you out on your ass if you were not supposed to be here. On my first night, I propositioned her. “If you let me stay here, I pleaded, I promise that I will add to your glory”. The next day I got an apartment and a job. From the late 70s on I have been a DJ at most of New York’s groundbreaking clubs. I feel that by playing events like this, I’m keeping my promise. 

 How do you think this event will support the music scene here in New York, do you think it would elevate Queens’ profile as a cultural hub? 

Dynell: In 1976 I went to the opening of PS1. I remember thinking “Where in the hell is this place? Why Long Island City? Why Queens”? For the past few years, however, Brooklyn and Queens have become the center of creativity in New York. Alanna Heiss was ahead of the curve.

Do you think this event will encourage more and more young creatives to enter the scene themselves and express their identities? 

Dynell: Yes, I certainly hope so! I think that things have been a little stale lately. Events like this will prove that we’ve still got it.


KIM ANH, photo by Marcus Ramos

KIM ANH:
What does it mean to be part of an event that highlights the culture of New York’s music scene

It means so much. MoMA PS1 has been such a long-standing cultural resource and pillar for the creative community, not just for New Yorkers but people who come here from around the world. I have many incredible memories at PS1, including the Warm Up series, so this feels like a full-circle moment.   

How do you think this event will support the music scene here in New York, do you think it would elevate Queens’ profile as a cultural hub? 

Warm Up is such a beloved and recognized cultural event there’s no doubt it adds to the fabric of an already culture-rich and diverse borough. Historically Queens has long been the home of many incredible artists and creative movements such as punk, jazz, and poetry. And MoMA PS1 has been so wonderful to consistently celebrate both established and emerging NYC artists.   

Do you think this event will encourage more and more young creatives to enter the scene themselves and express their identities? 

I do! The rapidly changing state of gentrification and affordability in NYC coupled with shrinking funding for the arts and education makes something like Warm Up extremely important. PS1 has been creating a safe and welcoming place to celebrate artists and our collective joy. I hope this will be felt by younger artists and that seeing representation of themselves and being part of a flourishing community sends them an encouraging and validating message.

Tickets are available online, with free entry for Long Island City and Woodside residents with proof of residency. General admission starts at $18 in advance and $22 on the day of the event. A season pass is also available for $75, allowing access to all dates. 

For more details and to purchase tickets, you can visit the MoMA PS1 website.

Fill the Form for Events, Advertisement or Business Listing