Queens Theatre Welcomes New Executive Director

Julia del Palacio Takes the Helm at Queens Theatre
MOHAMED FARGHALY
mfarghaly@queensledger.com
Queens Theatre has named cultural leader, educator and arts strategist Julia del Palacio, Ph.D., as its new executive director, marking a new chapter for one of the borough’s most recognizable performing arts institutions.
Del Palacio, who has spent more than 15 years working in arts administration, higher education and community cultural development, succeeds longtime leader Taryn Sacramone. Sacramone, who served in the role since 2013, helped expand Queens Theatre’s accessibility and program development, including the nationally recognized Theatre For All initiative, which supports the inclusion of artists with disabilities.
For del Palacio, the new role reflects a continuation of a life and career dedicated to the arts. Born and raised in Mexico City, she moved to New York in 2005 to pursue graduate study and ultimately earned her Ph.D. in Latin American History from Columbia University. Throughout her academic career, she continued dancing, performing, and working within artistic communities.
“I’m actually a historian by training, but I’ve also been a dancer my whole life,” she said. “When I graduated with my Ph.D., I decided I wanted a career in arts administration that would let me combine the strategic thinking and writing skills I developed as a historian with the artistry side of my life, which is a huge passion of mine.”
She joined the Kupferberg Center for the Arts at Queens College, where she most recently served as Associate Dean of the School of Arts and Director of Strategic Partnerships and Development. In that role, she helped design educational and professional development programs, grew global partnerships, expanded student pipelines and helped secure more than $1.4 million in annual contributed income.
Now, as she transitions into leading Queens Theatre, del Palacio says the move “just felt natural.”
“I love Queens so much, and I think Queens Theatre is such an important institution for the borough,” she said.
Del Palacio’s connection to Queens Theatre goes back almost two decades, when she first performed there as a Mexican folk dancer with her ensemble Radio Jarocho. The memory resurfaced during her job interview.
“They asked if I had ever been in the theater, and I said, ‘Are you kidding me?’ I’ve been backstage, I’ve been in the green room, I’ve been on the stage, and I’ve been there as an audience member,” she said. “It was a full-circle moment.”

Founded in its current form in 1989 and located on the grounds of the World’s Fair in Flushing Meadows–Corona Park, Queens Theatre presents dance, theater, family programming and community engagement events, as well as educational programs across schools and senior centers. Its mission centers on accessibility and serving Queens, one of the most diverse counties in the nation.
Del Palacio says her first responsibility as executive director is ensuring stability and sustainability, starting with funding.
“Expectation number one is to have a fiscally sustainable organization,” she said. “Fundraising is number one, and I love being out there meeting new potential funders, creating new networks, and building collaborations.”
She praised her predecessor Sacramone’s work to expand accessibility, including services such as ASL interpretation, audio description and training opportunities for artists with disabilities.
“She really made the theater more inclusive of everyone who wants to participate in the arts,” del Palacio said. Her goal is not just to maintain that work, but to widen the theater’s reach—literally.
“If you can’t come to Queens Theatre, we’ll take Queens Theatre to you,” she said, describing her desire to partner with neighborhood organizations and bring programming directly into Queens communities.
Del Palacio believes her dual identity as artist and administrator will shape her leadership.
“I have a unique set of skills,” she said. “I know how artists think. I’ve worked with so many of them. One of the tenets of the theater has been artist advocacy, supporting emerging artists and giving them the space and resources to create new works.”
Queens Theatre’s upcoming seasons reflect that philosophy. The organization is preparing a “homegrown and worldwide” 2025–26 slate that highlights artists who developed work locally and have gone on to national platforms. One example is Chicken and Biscuits, a production that began at Queens Theatre before ultimately reaching Broadway. The original cast returns this month for a staged reading paired with a VIP event featuring soul food.
Also on the calendar is a December holiday program from the renowned Parsons Dance company.
Del Palacio says she believes this is a significant moment not just for the theater, but for Queens more broadly.
“Queens is having a moment,” she said. “People are more and more interested in Queens—Queens food, visiting Queens. I think a great new year of Queens Theatre is coming up, and I’m excited about that.”
















