Black inventors in AI: Shaping the Future of Technology Exhibition

By: Courtney Kerr

Black History month has come to an end, but at the Black Inventors Museum they celebrate year round. Their latest exhibit, “Black Inventors in AI: Shaping the Future of Technology” ran between February 21-23 and February 28-March 2, 2025 at Brooklyn City Point. This multimedia presentation is a tribute to Black inventors and innovators internationally.

“The Black Inventors Exhibit is for everyone — all age groups and ethnicities,” said James Ince, the curator.  “It graciously complements all science and American history curricula, while promoting positive images in those who seek to learn about the discoveries and challenges of these great inventors.”

While the museum was founded 29 years ago in western Massachusetts, this is the first exhibit it has hosted in New York City. Their last weekend in the city, the exhibit also featured a book signing for Keith C. Holmes´ book, Black Inventors, Crafting Over 200 Years of Success as well as a children’s workshop.

The museum’s goal, as Ince describes it, is to celebrate history and inspire future generations — promoting racial understanding as well as providing a new motivation for learning. The exhibits reveal many interesting facts, and highlight the accomplishments of Black inventors in the fields of science, aerospace, communication, health care, agriculture, transportation and engineering. Over 175 inventions are represented in a collection which includes patents designs, personal letters, rare photographs and brief biographies of Black inventors. 

The exhibit featured inventors like Lonnie Johnson, the creator of the super soaker water gun, which has generated well over $200 million dollars in retail sales and continues to be a top seller. Elsewhere was Sarah Goode, the first Black woman to be granted a patent by the U.S Patent and Trademark Office for her invention the cabinet bed, in 1885. Another figure was Dr. Shirley-Ann Jackson, who was the first African-American woman to acquire a Ph.D. from the M.I.T and is the woman who made Caller ID and call waiting possible. Lastly, Emmet McHenry’s innovation and vision helped shape the internet’s infrastructure, which has paved the way for the growth of the digital economy and global connectivity we have today. 

While their recent run has ended, the Black Inventors Museum defines themselves as a “traveling museum,” meaning that the exhibit can still be booked for events across the United States and internationally. They are therefore available in a lot of places where this information wouldn’t be shared or taught normally. Their exhibits have been featured at educational conferences, cultural expos, professional conventions, and corporate diversity programs.

You can find all their information about upcoming events and exhibits on https://blackinventorsmuseum.com/lab

 

 

Grammar School Performs

When a small catholic academy puts on a theatrical performance that includes 80 performers and few dozen crewmembers, it’s nothing short of a logistical marvel. The St. Stans, Maspeth, Performing Arts Players have been performing shows with students from the school for 15 years now, and the Beauty & The Beast performances this past weekend, which featured 80 cast members singing and dancing, did not disappoint.

More than 200 audience members came to each of the three performances and the performing arts program at this school continues to attract students interested in theatre, music and dance.

Maspeth Federal Savings Opens State-of-the-Art Tech Center

By MOHAMED FARGHALY

mfarghaly@queensledger.com

Maspeth Federal Savings took a step toward the future on March 12 with the unveiling of its new Tech Center at 55-31 69th St, Maspeth. The state-of-the-art facility, which aims to enhance the bank’s focus on innovation, cybersecurity, and community leadership, was presented during a ribbon-cutting ceremony attended by local officials, partners, and community members.

“This state-of-the-art facility in the heart of Maspeth is a testament to our unwavering commitment to innovation, cybersecurity, and community leadership,” said Thomas Rudzewick, President and CEO of Maspeth Federal Savings, during his speech.

Rudzewick, who was recently honored as Business Person of the Year by the Queens Chamber of Commerce, emphasized the importance of adapting to a rapidly evolving digital landscape.

“In today’s rapidly evolving digital landscape, cybersecurity and artificial intelligence are no longer a futuristic concept. They’re an urgent priority,” he said. “This center represents our pledge to proactively address challenges that these technologies bring and harness their potential so that we are ensuring the financial safety and stability of our associations’ members and the communities that we serve.”

The new Tech Center houses talented minds from the bank’s information technology, cybersecurity, data science, and core banking departments, providing them with a collaborative workspace designed to promote innovative solutions and enhance the bank’s technological capabilities.

“Here, they’ll be able to collaborate and solve problems together face-to-face in a shared space because we at Maspeth Federal Savings believe that people are the answers. No matter how digital the universe becomes, our world will always revolve around the people that are living in it,” Rudzewick said.

The Tech Center is equipped with cutting-edge tools designed to strengthen security measures, including fraud prevention, rapid incident response, and enhanced risk management. According to Rudzewick, this investment is about more than just technological growth; it’s about community service.

“Most importantly, though, it’s about serving our community. We’re here to support the dreams and aspirations of our neighbors, providing them with the financial resources and guidance that they need to thrive,” he said.

Rudzewick also extended his gratitude to the bank’s board of directors, employees, elected officials, and various partners involved in the project. “Together, we’ve built something more than just a physical structure. We’ve built a beacon of innovation, security, and community right here in the center of Maspeth, our little town.”

The Tech Center’s unveiling marks the beginning of what Maspeth Federal Savings hopes will be a new era of technological advancement and community leadership. As Rudzewick noted, “This technology center will be a powerful reminder in years to come of what we can achieve when we embrace change and work together for a common goal.”

 

Flushing Town Hall Hosts Indo-Constellations: A Night of Music and Culture

Courtesy: Roshni Samlal

By MOHAMED FARGHALY

mfarghaly@queensledger.com

Flushing Town Hall will host “Indo-Constellations” on March 23, a one-night-only event that brings the dynamic sounds of Liberty Avenue to the stage. The show, curated by tabla artist and DJ Roshni Samlal, highlights Indo-Caribbean artists whose music reflects the rich cultural tapestry of Queens.

“Indo-Constellations” will feature performances by Ben Parag, Josanne Francis, Roshni Samlal, and Pallaví, also known as Fijiana, with music spanning Bollywood classics, jazz, chutney, hip-hop, and more. Samlal described the show as “very Queens” in the way it reflects the borough’s musical landscape, where Indo-Caribbean heritage and contemporary sounds naturally mix.

The festival, which runs from 5:00 p.m. to 8:30 p.m., will also include a DJ set for dancing and vendors serving West Indian street food. Samlal, who moved from Trinidad to Richmond Hill and grew up surrounded by the vibrant Indo-Caribbean culture of Liberty Avenue, said the event is intended to be more than a concert. 

“We’re really going for the festival vibe, inviting people to come and hang. It’s not just one set and then a passive experience,” Samlal said. 

Raised in a family of Guyanese musical talent, Ben Parag is a New York native and fluent Hindi speaker who trained in classical music under the guidance of gurus Kinnar and Payal Seen. His talent took him to India, where he performed on the television show Dil Hai Hindustani, earning praise from Bollywood director Karan Johar and other renowned judges. Parag’s style blends Bollywood classics with chutney and tassa influences, creating a unique sound that appeals to diverse audiences while keeping his Caribbean roots close.

Josanne Francis, born and raised in Trinidad & Tobago, is an internationally acclaimed steelpan performer and music educator known for her delicate yet powerful playing style. Her music draws from traditional Calypso, Jazz, Indian, Funk, Rock, and Classical influences—an unconventional mix for her instrument. She has performed at prestigious venues like Carnegie Hall, the Kennedy Center, and the Strathmore Music Center, and has been featured at festivals across the U.S. and internationally. Francis is also the Executive Director of the Cultural Academy for Excellence, Inc., and runs her own educational steelpan program, Steel on Wheels.

Pallaví, known by her stage name Fijiana, embodies the multicultural landscape of Fiji and the Bay Area. Her eclectic sound combines jazz-influenced rap, modern pop, and Indo-Afro beats, reflecting her dual cultural identity. Pallaví’s music tackles political issues, spiritual experiences, and personal stories, all rooted in real emotions. Her work has been featured in Rolling Stone India, Vogue India, KQED, and Brown Girl Magazine, and her song “Identity” was an official selection at the South Asian Film Festival of America.

Samlal, a New York-based tabla player and DJ, has studied within the Farrukhabad, Benares, and Punjab gharanas of Indian classical percussion. She is a prolific teacher and performer, collaborating with traditional musicians like Pt. Krishna Bhatt, as well as contemporary ensembles such as In D Ensemble and Orakel. Samlal’s work also explores electronic production, using sound collages and poetry to address topics like post-colonial Caribbean identity and migration. As the curator and producer of the Ragini Festival, she spotlights innovative arts within the South Asian diaspora, focusing on Indo-Caribbean heritage.

The evening’s lineup will open with Ben Parag’s Bollywood-inspired set, followed by a special mash-up performance featuring steelpan, tassa, and tabla—highlighting the rich musical heritage of Trinidad. The event will culminate with Pallaví’s powerful blend of hip-hop, storytelling, and Indo-Fijian themes.

Flushing Town Hall’s collaboration with Samlal’s Ragini Festival marks the first time the event has been held at the venue, bringing together artists from the Indo-Caribbean diaspora in a celebration of identity and innovation.

“For South Asians in particular, a lot of them don’t realize that there’s a whole extension of South Asian culture that morphed and moved and preserved so much connection to the continent,” Samlal said. “What an act of resistance that is. And how we really progressed our identity too.”

Tickets for Indo-Constellations are available for $30 at flushingtownhall.org.

Forest Hills Restaurateur Battles Construction Woes, Fights to Keep Doors Open

MOHAMED FARGHALY

mfarghaly@queensledger.com

Puneet Singh had high hopes for his expanding culinary vision on Ascan Avenue. After the runaway success of his restaurant, White Radish, a farm-to-table American kitchen, which opened in the fall of 2020 and thrived through the turbulent years of the pandemic, Singh decided to double down. In late 2023, he signed a lease to expand to Daikon Sushi Room next door, investing over $400,000 into the sleek new spot at 108-23 Ascan Avenue.

The expansion was supposed to be a lucrative move. But what should have been a promising new chapter for Singh’s businesses instead turned into a nightmare of financial stress and dwindling customer access.

It all began in April 2024, when the MTA launched construction work directly in front of Singh’s establishments. The project, intended to build a new ADA-accessible ramp for the 71st Continental Avenue Long Island Rail Road station, quickly became a source of frustration and financial turmoil.

“They just came and dropped off the paperwork to notify notify us, and that there was no time frame given to us, whether it was going to take up to three months, six months or a year.” Singh said. “They put all these barricades up, they put the fencing up, the sidewalk was closed, and they had detour signs directing people away from the area.”

Throughout the summer of 2024, the barriers remained, stifling foot traffic and cutting deep into the restaurant’s revenue. Singh missed revenue targets and fell behind on rent, payroll, and sales tax obligations. The construction site, which was supposed to be temporary, turned into a drawn-out disaster.

“People do not want to cross a construction zone to get to a restaurant,” Singh said. “You have metal barricades, cranes, construction equipment, and danger signs everywhere. It’s not inviting. They put up even more barriers and took away parking spots. We were losing our customers.”

By August 2024, the barricades were removed after the project was halted due to budget restrains. But the damage was already done. The prime summer season had slipped away, dragging White Radish and Daikon Sushi Room into financial quicksand. While sales began to recover slightly, they remained far below the expected targets.

Just as things started to look up, construction crews returned three weeks ago in early 2025. The barricades, fencing, and trucks are back, and Singh’s frustration is mounting.

“They came back and installed everything again,” Singh said. “They just showed up one morning and started putting everything back up. The permit says three months, but I don’t trust that. Last time, they said it was temporary, and it lasted months. This could drag on for a year or more.”

The ongoing construction has made it nearly impossible for regular customers to return to White Radish and Daikon Sushi Room. With the large green barricades blocking the storefronts, passersby in Forest Hills can no longer see the restaurants, making it difficult to capture the attention of new customers. The constant disruption has caused loyal patrons to avoid the area, while potential diners are unaware of the businesses altogether. As a result, attracting new customers and maintaining steady foot traffic has become an overwhelming struggle.

The renewed construction has already caused further declines in revenue. Singh fears he may lose both of his businesses, which employ local Queens residents and contribute to the neighborhood’s charm.

Due to the ongoing construction disruptions and dwindling business, the number of employees has been cut from 24 to just 14. With revenue dropping significantly, the restaurants have also had to reduce their hours of operation. To make matters worse, the barriers are often moved in the evening, blocking additional parking spaces and further deterring potential diners from stopping by. The lack of foot traffic and customer demand has forced these tough decisions, making it increasingly difficult to sustain the businesses and provide steady work for the remaining staff.

What was once a charming spot for families and friends to gather and enjoy a meal has now become an unpleasant experience due to the constant construction. The noise from the work is so loud that it makes conversation nearly impossible, and the vibrations from the machinery often shake the walls of the restaurants. Adding to the discomfort, a diesel truck frequently pulls up to the construction site, filling the air with a strong, unpleasant odor that drifts into the storefronts, further ruining the dining atmosphere.

“We swallowed the losses last year, this year, we’re just trying to catch up on our bills,” Singh said. “I’ve invested everything into these restaurants. If this keeps on going like this, there is no way we will be able to sustain for another year or so.”

Singh is demanding immediate action: the removal of the barricades and restoration of access to his restaurants, along with formal discussions about financial compensation for the losses incurred.

“We need them to just move this away from our restaurant, there’s an empty store across the street,” Singh said. “There’s a lot of space which is not being used. They should, first of all, remove this barrier, and should cover up our damages.”

Singh has reached out to the MTA multiple times, but they have not been cooperative on the construction aspect. However, he is scheduled to meet with the Senior Director of Public Affairs later this week to discuss the issue.

Until then, he remains in a holding pattern, pouring money into his businesses in the hope that, one day, the view from Ascan Avenue will be clear again.

As White Radish remains caught in construction limbo and fights for support, readers can continue to visit the two storefronts at 108-25 Ascan Ave, Forest Hills, to support a local business during this challenging time.

Starr Street’s ‘Spaceship Bus’ Finally Removed – But at What Cost?

Courtesy Robert Holden’s Office

MOHAMED FARGHALY

mfarghaly@queensledger.com

 

A long-standing dispute over a large RV parked in a residential neighborhood on Starr Street finally reached a conclusion last week when the vehicle, nicknamed the “spaceship bus” by local residents, was towed away after months of complaints from the community. The operation, however, did not proceed without incident. The removal, has sparked a wave of controversy, with both local lawmakers and the RV’s owner offering differing perspectives on the situation.

 

The RV, which had been parked on the residential street since January, drew growing frustration from nearby residents. The vehicle was described as a “monstrosity” by some, with its colorful, spaceship-like design drawing the ire of those living nearby. What started as a seemingly temporary parking spot for the vehicle, once part of the Brooklyn Club Silo’s outdoor seating arrangement, escalated into a neighborhood controversy. Owner of the vehicle, Robin Russel-French, argues he never intended to leave the RV there permanently and that an illness made it nearly impossible for him to address the situation sooner.

 

After multiple complaints from residents the RV was removed by private tow company VMA Towing.

 

Council Member Holden applauded the swift action taken, calling the removal a necessary step to address the growing issue of commercial vehicles and RVs cluttering the streets of the neighborhood. “The issue of RVs and commercial vehicles parked throughout our district and beyond has grown bigger than ever. When constituents rightfully complain, my office takes swift action.” Holden thanked local agencies and staff members for taking action.

 

Crashes Into Overpass

Courtesy Tarik Simsek, (Seniorsix on Instagram) 

But the towing operation did not go as smoothly as some had hoped. The RV’s size—standing nearly 20 feet tall—was flagged as a concern by multiple parties involved in the operation. Allegedly, city departments were warned about the risk of damaging overpasses and other infrastructure due to the RV’s height, but the towing proceeded anyway. During the process, the RV collided with a low-hanging bridge at the intersection of Myrtle Avenue and Fresh Pond Road resulting in severe damage to the roof of the vehicle and to the structure of the overpass. 

During a virtual COMET (Communities of Maspeth & Elmhurst Together) Zoom meeting last month, Captain Chowdhury of the 104th precinct, responding to complaints about the RV’s presence, issued a warning regarding the risks of towing the large vehicle, a warning that fell on deaf ears. “Our heavy duty towing team told us that they can’t really tow that because it is too tall for them, and they’d hit overpasses and stuff like that. We’ve reached out to sanitation, we’re working with them because they need more information, if this thing has plates then sanitation will be able to tow it, but we’re trying and calling our legal department to see what is the recourse with this,” Chowdrey said during the meeting. 

 

Russel-French, has since accused city officials of negligence, claiming that the towing operation was not only poorly executed but was also politically motivated. Russel-French, who suffers from a debilitating condition known as Complex Regional Pain Syndrome (CRPS), insists that he was unable to address the situation due to his medical condition. Diagnosed with CRPS over a year ago, Russel-French explained that the disease has left him bedridden and in constant, excruciating pain, making it nearly impossible for him to take care of the bus as planned.

 

Russel-French, sees things differently than the local officials and residents. In an exclusive interview, he explained that his RV had been parked on Starr Street out of necessity, not neglect. “I had to move it there under duress,” he said, noting that he was unable to drive it due to its size and the ongoing financial and physical challenges presented by his illness. 

 

“I never wanted the bus to stay on Starr Street,” Russel-French said in the interview. “But I’m bedridden and without income. I couldn’t do anything. It was just too painful.” Russel-French described his condition as one of the most painful chronic pain conditions known to medicine, further emphasizing the challenges he faces in managing his affairs.

 

According to Russel-French, the RV had been registered and legally parked when it was moved to Starr Street, though he acknowledged the vehicle was unoccupied for much of the time.

 

The 1967 Leyland Atlantean bus, which had been used as a cultural space for private events and performances, was not in use during the winter months as Russel-French struggled to manage his condition. He claims that he had every intention of moving the RV but was unable to do so due to a lack of funds and mobility. “It took everything for me to get it there,” he said, explaining how the move to Starr Street was temporary while he figured out his next steps.

 

Russel-French also suggested that there were ulterior political motives behind the push to remove the RV, alleging that local officials had orchestrated the vehicle’s destruction. French alleges that the wheels of the RV were deliberately popped, suggesting that it was a coordinated effort to make the vehicle appear unfit for the street and force it to be towed, thereby escalating the situation and making it eligible for impoundment under the city’s public safety guidelines.

 

He claimed the city was complicit in damaging the vehicle when it was towed under a low bridge, causing significant structural damage to the bus. “They purposely drove it under a low bridge so that it would destroy the top level,” he said, hinting at a deliberate attempt to make the vehicle unfit for use.

 

Robin Russel-French operated the RV as a private venue for exclusive parties and events, catering to a select group of guests. He hosted renowned DJs, including Fred Again, who has performed on the bus, making it a unique cultural space within New York’s nightlife scene. The events were not open to the public, with entry restricted to a vetted, invite-only crowd. While guests could make voluntary donations, the gatherings were designed to foster a sense of community rather than profit, blending music, art, and social gatherings in an unconventional setting.

 

The RV, Russel-French argues, was not just an ordinary vehicle. He describes it as a historical relic — a 1967 Leyland Atlantean that once served as part of London’s public transportation system. The vehicle, he says, was registered as a historical vehicle, which granted it certain protections. The fact that the vehicle was destroyed in the towing process has led Russel-French to consult with lawyers, planning to sue the city for what he views as mishandling and unnecessary destruction of his property.

 

Other RV Busses on the Street

 

While he acknowledges that residents had complaints about the bus being parked on the street, Russel-French maintains that he was not the only one causing an issue in the area. “There are two makeshift buses and an RV that have been parked on that block for years,” he said, referring to other vehicles in the vicinity that were also subject to complaints but not removed as swiftly as his own.

 

“I think the way this whole situation unfolded is unfortunate, the goal was never to outright destroy someone’s property, but rather, address the quality-of-life concerns of nearby residents. I would have never posted online about this issue if I knew this was going to happen,” Candidate for City Council, Paul Pogozelski said. “Unfortunately, the whole situation turned into a race to see who could take credit for removing the camper, and that’s when it looks like common sense went out the window.”

 

For many in the neighborhood, the RV’s presence was a constant source of frustration. Neighbors reported that it was an eyesore, detracting from the neighborhood’s aesthetics and causing concerns over potential safety hazards. Some residents also complained that the area became a magnet for garbage and litter, further exacerbating the problems created by the vehicle’s extended stay.

 

While Russel-French’s supporters view him as a victim of political maneuvering and medical hardship, for others, the removal of the RV marked a welcome end to what they saw as a persistent nuisance. The city’s swift action is seen by many as a demonstration of effective leadership, albeit at the expense of one individual’s livelihood.

 

As Russel-French prepares to challenge the city’s actions in court, the case highlights the ongoing tension between personal property rights, public safety, and the need for neighborhood upkeep. 

Courtesy Robin Russel-French

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