National Grid Foundation Donates 250K

National Grid Foundation Executive Director, Robert
Simmons along with foundation staffers presented a $250,000
grant to Catholic Charities of Brooklyn & Queens the
past Wednesday, February 26th at Howard Beach,
Msgr. Joseph Pfeiffer Resource Center. Msgr. Alfred
LoPinto, CEO of Catholic Charities, remarked how the
money would be used for essential bills which help
vulnerable people of Brooklyn and Queens. “With the
cost of essential foods continuing to go up, people need
to be able to pay their heating bills. These funds are so
important.”

From Playground to Pavilion: A Queens Girl’s Restoration Dream

Courtesy Jordan L. Smith/The Pie Shops Collection

By MOHAMED FARGHALY

mfarghaly@queensledger.com

From the moment Mary Vavruska was a child, the towering spires of the New York State Pavilion loomed large in her imagination. Growing up in Queens, she had a front-row seat to the iconic structure that stood as the centerpiece of the 1964 World’s Fair. It wasn’t just a landmark to her—it was the spark of a lifelong passion, a symbol of both personal history and her connection to the city’s architectural legacy.

Vavruska’s fascination with the pavilion started early. As a child, she would visit her grandparents’ apartment in Jackson Heights, which offered a panoramic view of Flushing Meadows-Corona Park and the pavilion itself. Her grandparents, who attended the World’s Fair, often shared stories about the event, deepening Vavruska’s connection to the place. 

“A key piece of information in this story is that my grandparents are from Jackson Heights and growing up I would visit their apartment, and from their window, they had a great view of Flushing Meadow Park, and I could see the Unisphere in the New York State Pavilion from their window,” Vavruska said. “They attended the World’s Fair, and I grew up hearing stories about it, and plus, my parents explained the history of it to me.”

But the spark that would fuel her passion for restoring the pavilion came during the 50th anniversary celebration of the World’s Fair.

“I think the point where I really felt like this passion started burning inside me was when they had the 50th anniversary event for the 1964 World’s Fair, and they opened up the New York State Pavilion,” Vavruska said. “I went with my friend Theo, and we waited in this like crazy long line to go inside the New York State Pavilion. I was so excited to see something I heard about my entire life, and finally I could actually see the inside. Going in, it was like, so cathartic, but at the same time, it was actually really heartbreaking to see that, like the state that it was in on the inside.”

The New York State Pavilion, located in Flushing Meadows–Corona Park in Queens was originally built for the 1964 New York World’s Fair. Designed by celebrated architects Philip Johnson and Richard Foster, with structural engineering by Lev Zetlin, the pavilion consists of three distinctive reinforced concrete-and-steel structures: the Tent of Tomorrow, three observation towers, and the Theaterama. The Tent of Tomorrow is a massive elliptical structure, measuring 250 by 350 feet, with a cable suspension roof that was designed to resemble the future of architecture. Beneath its soaring roof lies a terrazzo map of New York State, which once served as a landmark feature. The three observation towers, with the tallest standing at 226 feet, were intended to offer panoramic views of the fairgrounds, while the Theaterama, a drum-shaped building, functioned as a space for films and exhibits. Designed to be one of the tallest and most striking pavilions at the World’s Fair, it stood as a symbol of modernity and innovation.

After the fair, the pavilion’s structures were repurposed for a variety of uses, including concerts, exhibitions, and roller rinks, but by the late 20th century, they had fallen into disrepair. The once-vibrant Tent of Tomorrow and observation towers were abandoned and left to deteriorate, with parts of the terrazzo map damaged and the towers falling into ruin. Despite the decline, the pavilion has been the focus of several restoration efforts, culminating in its addition to the National Register of Historic Places in 2009. Recent preservation work has focused on stabilizing the structures, including repainting the Tent of Tomorrow in its iconic yellow color in 2015, repairing the terrazzo map, and updating the observation towers with new lighting and structural enhancements.

Vavruska’s connection to the pavilion took on a deeper meaning. It wasn’t just about preserving a building—it was about safeguarding a piece of history that had shaped her own identity.

“I think after seeing it like that, it went from kind of having a passing interest in the World’s Fair in its history to wanting to really get involved in preserving it for the future and giving other people the opportunity to enjoy its history the way I have,” Vavruska said. 

Her childhood curiosity for structures, combined with an interest in engineering, led her to pursue a career in structural engineering.

“I’m a structural engineer now and growing up in a city surrounded by amazing buildings, bridges, and incredible structures sparked my curiosity,” Vavruska said. “Even though I didn’t know what civil engineering was at the time, I was always fascinated by how these structures came to be and how they worked. Structural engineering, which is a branch of civil engineering, felt like the perfect fit for my interests. As I continued to learn about structures, I developed a strong passion for historic preservation. I realized that through my career, I could make a real difference. That’s when I knew I wanted to get involved with projects like this one, to help preserve and protect these important historical landmarks.”

Her professional journey led her to T.Y Lin International, where she recently joined a team dedicated to the preservation of historic structures. As an entry-level structural engineer, Vavruska found herself in the perfect place to pursue her passion for the pavilion. 

Today, Vavruska plays a key role in the ongoing restoration of the pavilion. Her team is focused on making the structure safe for future generations, despite the challenges that come with such an ambitious project.

“It seems like it’s kind of a never-ending project, and you know, it’s slow paced, and there’s limited funding for it,” Vavruska said. “Ultimately, it’s not number one on the priority list, but they’re trying to fix it up to, at least to a point right now where it’s not a safety hazard.”

Though the restoration is still in its early phases, Vavruska envisions a future where the pavilion is not just safe but open to the public once again. 

“I think the ultimate goal from everything I’ve heard over the years is they want to have it be able to be used by the public in some form eventually,” Vavruska said. 

The pavilion, which has long been a symbol of New York’s bold vision for the future, also faces challenges of public perception. For many, it’s just another relic of a bygone era, but for Vavruska, it represents so much more. 

Vavruska’s mission isn’t just about bricks and mortar—it’s about preserving the soul of a place that has left a mark on the community and on her own life. 

As she works on the restoration, Vavruska’s thoughts often turn to the pavilion’s original architects, who never could have imagined their creation would still stand 60 years later. “I’d love to know if they ever thought their design would last this long,” she said. “What did they envision for it after the fair?”

With each step in the restoration process, Vavruska feels she’s getting closer to fulfilling the dream that began when she first looked out her grandparents’ window so many years ago. For her, the pavilion isn’t just a project—it’s the story of a lifelong connection to a place she’s determined to preserve for generations to come.

“Queens is the most diverse place in the world and the World’s Fair perfectly captures that, I mean the world literally came to Queens twice, in the ’30s and ’60s,” Vavruska said. “While some of the futuristic visions from the Fair may seem silly or unrealistic now, there’s something beautiful about that hopeful, rose-colored view of the future. In times like these, when things can feel uncertain, we could use more of that positivity. I think it’s important to appreciate the smaller, often unappreciated little wonderful pockets of history in our city. I think there’s something really cool about remembering the seemingly less important ones and keeping their stories going as much as the other landmarks of the city.” 

Zohran Mamdani’s Mayoral Campaign for Real Change

By MOHAMED FARGHALY

mfarghaly@queensledger.com

Zohran Mamdani, a New York State Assemblymember and democratic socialist, is setting out to shake up the political establishment with his bid to become the next Mayor of New York City. Born in Uganda, Zohran’s early years were marked by a global upbringing. His father, a professor, took the family to Cape Town, South Africa, when Zohran was just five years old, and later to New York City at the age of seven when his father accepted a position at Columbia University. The diverse influences from Uganda to South Africa to New York City have helped shape Zohran into the progressive, community-oriented leader he is today.

Growing up in Morningside Heights and attending Bronx Science High School, Zohran’s early interests spanned from journalism to sports. He was an active participant in soccer and cricket, sports that have remained passions of his throughout his life. Yet, it was his passion for activism and organizing that took hold early in his career. His first job out of college was as a community organizer, where he managed a phone banking operation that reached over 30,000 people. It was there, as he worked with fellow organizers, that Zohran began to feel the pull of local politics.

I always knew I was a New Yorker, but I didn’t know how my politics fit into New York,” Mamdani said, reflecting on his early political experiences and his inspiration from Bernie Sanders and other local community leaders.

After his time as an organizer, Zohran took brief stints working in film and music before diving into New York City politics. He soon joined the Muslim Democratic Club of New York, where he began to learn the intricacies of local politics. It was there that he honed his political beliefs, grounded in justice, solidarity, and fairness.

His advocacy work reached new heights when he served as a foreclosure prevention counselor, helping working-class and union residents avoid eviction, particularly within the South Asian community. By translating for many homeowners facing predatory lenders, Zohran grew acutely aware of the ways financial institutions and real estate developers exploit working families. This sense of responsibility to fight for those most affected by inequality would become central to his political agenda.

Zohran’s commitment to serving his community was further solidified when he ran for state assembly in 2019 in Astoria, Queens. “There was a sense that Astoria was leading the progressive way in Western Queens,” he said, explaining his decision to run. His deep belief in progressive politics and social justice led him to victory, and since becoming an assemblyman in 2021, he has worked tirelessly to fight for working-class New Yorkers.

One of Zohran’s most notable achievements came when he spearheaded the fight to help taxi drivers, who were trapped in a predatory debt scheme with medallion loans. With his leadership, a hunger strike was organized, and ultimately, the city agreed to forgive over $450 million in medallion debt. 

“What I’m most proud of is fighting for working class New Yorkers,” Mamdani said. “Everyone seemed to understand but no one did anything.”

Beyond his work on the taxi medallion debt crisis, Zohran is equally proud of securing over $100 million in state funding to increase subway service, as well as successfully implementing a fare-free bus pilot. His efforts to make public transit more accessible and equitable for New Yorkers are part of his larger vision for the city. Zohran has witnessed firsthand how the rising cost of living, particularly for transit fares, is burdening New Yorkers. He wants to change that.

New Yorkers cannot afford public transit at a rate that is unacceptable,” Mamdani said. “We’re talking about one in five New Yorkers can’t afford a metro card, and there’s a regular hike in the cost of the fare.”

Mamdani understands that New Yorkers are looking for practical solutions to the daily challenges they face. “What do people want most? They want to know how their lives can become easier,” he said. For Mamdani, this means adopting an outcome-based approach to public transit. He emphasizes that New Yorkers deserve a system that works for them, one that provides real improvements in their daily commutes. As a regular subway rider himself, Mamdani sees firsthand the inefficiencies that plague the city’s transit system and is determined to make public transit faster, more affordable, and more reliable for everyone.

Zohran’s plan for the city’s transit system is just one example of how he intends to make life more affordable for New Yorkers. Housing, too, is a top priority. As mayor, he plans to freeze rent on all stabilized apartments and ramp up efforts to build 200,000 new units of permanently affordable, union-built, rent-stabilized housing. His approach to housing goes beyond just increasing supply; Zohran believes in putting public dollars to work in a way that truly benefits New Yorkers, and not developers looking to profit off the backs of the working class.

“Ultimately, I want to use every breath I have in every single day of the campaign to talk about how I’m going to make the city more affordable,” Mamdani said.

But affordable housing isn’t the only way Zohran intends to help struggling families. Childcare costs are skyrocketing, and New York families are feeling the squeeze. According to Zohran, parents with children under six are leaving the city at double the rate of other New Yorkers. “This is a crisis that is driving people out of the city,” Zohran said. 

Zohran Mamdani plans to implement free, high-quality childcare for every New Yorker aged 6 weeks to 5 years, ensuring that children receive the care they need and that parents, particularly mothers, are not forced to choose between a paycheck and raising their children.

Mamdani has been a strong advocate for better representation of Middle Eastern and North African (MENA) communities in demographic data, recognizing the critical need for accurate representation in policymaking. Working alongside local MENA organizations and fellow politicians, Zohran pushed for a bill to include MENA as a distinct category in census data. His efforts were instrumental in getting the bill passed, ensuring that this often-overlooked community now has a clearer voice in New York’s policy decisions and resource distribution.

Zohran has also launched a plan to address food insecurity by creating city-owned grocery stores that focus on keeping prices low, rather than maximizing profits.

The candidate’s ability to mobilize people is one of his standout qualities. Having raised over $3.8 million, knocked on 60,000 doors, and recruited 5,000 volunteers, Zohran’s grassroots campaign has become a force to be contended with. His innovative use of social media to engage voters—combining humor with realism to highlight the city’s everyday struggles—has made his campaign one of the most visible and accessible in recent memory.

“When you use social media, you can speak directly to New Yorkers,”   Mamdani said, explaining his approach to social media in his campaign.

“It’s up to you to tell your story of what you’re fighting for.” Mamdani uses memes, videos, and viral stunts to communicate directly with his constituents. His social media reach has garnered over 7 million views in just a few months, showing his ability to break through the political bubble and connect with voters.

Mamdani has been critical of both Andrew Cuomo and current Mayor Eric Adams, emphasizing the need for fresh leadership in New York City. He believes that nostalgia for Cuomo’s early political strength is clouding voters’ judgment, pointing out that electing someone who perpetuated the same problems during his time in office won’t move the city forward. 

“People forgot what he did. The early strength of Cuomo in polls is just nostalgia for Cuomo rather than his actual record,” Mamdani said. 

Regarding Adams, Zohran criticized his failure to stand up for working-class New Yorkers, accusing him of not representing the city’s residents effectively. 

Mamdani acknowledges that in politics, there are often “permanent enemies,” referring to entrenched interests that oppose progressive change. However, he emphasizes that the true goal is not personal conflict but achieving tangible outcomes for working people and residents. For him, the focus remains on fighting for the issues that directly impact the lives of everyday New Yorkers, such as affordable housing, accessible public transportation, and fair wages, regardless of political opposition.

This unique blend of political savvy, grassroots organizing, and deep empathy for New Yorkers has positioned Zohran as a strong contender for the mayor’s office. He emphasizes that the city’s challenges—rising rent, public transit issues, homelessness—cannot be solved with Band-Aid solutions. His vision for New York is one of long-term structural change, where public resources are used to meet the needs of the people, not to benefit the wealthy few.

As the election nears, Zohran Mamdani is focused on ensuring that New Yorkers understand one thing: his campaign is about outcomes, not just rhetoric.

“New Yorkers are hungry for a different kind of politics, a politics that doesn’t require translation,” Mamdani said. 

 

Mapping Queens’ Cultural Landscape

Courtesy of Flushing Town Hall

 

By MOHAMED FARGHALY
mfarghaly@queensledger.com

 

Flushing Town Hall (FTH) is leading an exciting new initiative, backed by funding from
the New York State Council on the Arts (NYSCA), to craft a dynamic Cultural Map of
Queens. This project aims to capture and celebrate the borough’s rich tapestry of arts
and culture, offering a deeper look at the creative energy that pulses through its diverse
communities.

The Queens Cultural Mapping Project, launched in May 2024, aims to highlight the
diverse artistic contributions of the borough while addressing the unique challenges
faced by local artists and organizations. The initiative includes conducting interviews with
artists, cultural organizers, and social leaders to understand both their successes and
struggles, as well as their needs for additional resources.

“We were invited by the New York State Council on the Arts, NYSCA, to be a partner for
this program,” said Dan Bamba, Director of Arts Services at Flushing Town Hall. “The
goal of this was to learn more about the Queen’s arts and culture community in terms of
their successes, but also the challenges they’re encountering while working in the
borough.”

To date, the FTH Arts Services team, led by Community Coordinator’s Natalie Bedon
and Amara Thomas, have conducted over 100 one-on-one interviews with individuals
from all disciplines of the arts across Queens. These conversations aim to uncover not
only the experiences of artists but also the ways in which they overcome obstacles.

“We’ve been conducting a series of one-on-one interviews with artists, cultural
organizers, social leaders in the borough,” Bedon said. “We’ve met with over 100 people
since May. The plan is to have [the map] by June.”

A central component of the project is the creation of a digital map that will showcase the
physical locations of arts and cultural spaces across Queens. The map, which is
expected to be live by June 2025, will serve as a dynamic resource for artists,
organizations, and the public. In addition to the map, a comprehensive report will be
developed to address the broader trends and challenges identified during the research
phase.

Bamba explained that the mapping effort is not just about gathering data but about
telling the stories of Queens’ artistic community.

“Our hope is that this map can really bring a lot of visibility to different areas of Queens,
there is so much happening here,” Bamba said. “We hope that funders and other
organizations that are supporting the arts in Queens can take a look and maybe help
them support our borough a little bit better.”

Many artists have expressed the need for more physical spaces to host events,
performances, and exhibitions. Bedon highlighted that a lack of affordable venues for
presenting work is one of the most common challenges faced by local creators. She also
pointed to the financial difficulties that many organizations encounter, especially those
seeking funding to sustain their operations.

“Two top challenges that people have brought to the table are just the lack of spaces,
one to present work, and also just to have events and meetings,” Bedon said. “A lot of
the work is really lonely, that artists and arts organizations feel that they’re working really
in silos.”

In their interviews, the team has encountered a wide range of creative solutions to these
challenges. Bedon noted that some artists have transformed their living spaces into
galleries, while others have turned their studios into after-school programs for local
youth. Many individuals and groups have invested their own resources to create spaces
that benefit their communities.

As the project continues, it will also explore disparities in access to resources across
different neighborhoods. Bamba and Bedon both acknowledged that some areas, like
Southeast Queens and the Rockaways, face more barriers than neighborhoods like
Long Island City, which is often seen as a cultural hotspot in the borough.

While the Cultural Map of Queens project is scheduled to be completed by June, both
Bamba and Bedon emphasized that it will be an ongoing resource. The map will remain
a living document, with opportunities for new organizations and artists to be added as
the project progresses.

“The plan is for it to be a living resource that, when we’re finally able to release it online,
there will be an opportunity for people that aren’t in the initial version of the map to
submit their information to be included in the map,” Bamba said. “That’s our plan for this
map, that even after this first year was done, it should continue on to be this resource for
the for the borough moving forward.”

Bamba hopes that the project will not only benefit Queens but also serve as a model for
other boroughs in New York City.

For now, FTH is still collecting data from local organizations and artists through meetings
and surveys, and they are open to additional feedback through the end of April 2025.

“I think there’s so many people that are doing incredible work in Queens that is really
necessary for the communities that live here, and just necessary to keep communities
thriving and connected to their culture and their heritage, to continue to support youth
like growing in our communities,” Bedon said. “You know, as a Queen’s kid myself,
growing up here, there was not a lot of arts and cultural programming, and I did have to
go to Manhattan to try to find that. So, it’s really nice to be able to see that there’s so
much happening here and that kids who are growing up today might not have to leave
their borough to participate in museum programming, or any kind of like arts
administration, like internships or things like that, or just learning from people who have
a lot to share.”

Artists, cultural organizations, and community members interested in participating in the
project or contributing information can contact Flushing Town Hall for further details. For
more information, visit Flushing Town Hall’s website at flushingtownhall.org.

“Honestly it really is just being able to tell our story and celebrate what we’re doing in
Queens, but also highlight what we’re looking for as this is what the arts community in
Queens is looking for in terms of support, and we hope that funders and other
organizations that are supporting the arts in Queens can take a look at that and maybe
help them support our borough a little bit better too,” Bamba said.

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