Remembering Brooklyn poet Wynne Henry

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Wynne Henry always had dreams of moving back to Brooklyn.

The Flatbush-bred poet and writer would often talk about it on the phone with her friend Helene Ruiz, founder of the Urban Individualists Collective. They would daydream about moving into adjacent apartment buildings so that they could send food over to each other over the clothewsire and laugh at all the chicken heads below them.

Unfortunately, Henry, who friends often called “poetry dancer,” never got to live that dream. She died in December of last year in California, after a battle with cancer. But her friends ended up giving her the next best thing with a proper memorial in her hometown.

Photos of the late Wynne Henry displayed at her memorial service.

On Friday, several of Henry’s friends gathered in the backyard of an AirBnb in Little Haiti to give the Brooklyn girl a deserving send-off. Throughout her life, Henry worked as a creative writing teacher both in New York City and on the west coast, where she moved several years ago to take care of her mother. Several small plastic fold up tables were set up in the back, each decorated with old photos of Henry and copies of her poetry collection “7 Blocks… and TWO Stories up” that friends would read from.

“She was quiet, simple, practical, and made every effort to do what was good for herself and those around her. She was a woman of her word, and I felt she deserved so much more than life gave her in return,” Kimberly Allen, 54, said. They had been friends for 12 years, originally meeting in the Los Angeles poetry scene.

In everyday life, Wynne was a quiet and introspective person. She wasn’t necessarily shy, but was reserved and often didn’t want to worry friends with her own problems. But in her writing, her voice soared.

“She seemed to really see people. When she brought her poetry and some of the things that she expressed, it let you know that she paid attention to everyday life and the people that she would run across,” Allen continued.

Henry’s poems delved into an array of topics: the scourge of racism, the simple pleasure and disappointments of love and meditations on daily life. One poem, which started as a writing prompt asking poets to define why they write, demonstrates some of her artistic drive.

“I want my poetry to help you find your voice/one word at a time/and when you finally run out of things to say/I want my poetry to speak for you,” a poem entitled ‘I want my poetry to’ reads, from her collection “7 Blocks… and TWO Stories up.

Wynne Henry’s poetry collection “7 Blocks… and TWO stories up”

And on Friday afternoon, Henry’s words spoke for the friend who months later still struggled to find the words to properly mourn her.

Karen Abercrombie remembers many things about her friend of over 20 years, but one of the first that came to mind was her love of cats. After all, Henry is the reason why Abercrombie has two herself.

One Thanksgiving in North Carolina, Abercrombie took Henry to the local animal shelter. They came back each day just to look at one specific cat to adopt. He ended up getting adopted by another family. So, naturally, Abercrombie ended up adopting two other cats instead: one name Langston, after Langston Hughes (one of Henry’s favorite writers); and the other Finn.

Henry didn’t own a cat herself, Abercrombie explained, and speculated that it was because of the disappearance of her childhood cat. But that didn’t stop her from showering her friends’ pets with homemade crochets or picking up their favorite food when she saw it in a supermarket.

“Everytime I look at my cats – or things we shared together, like our love for African fabrics – I think of her,” Abercrombie said tearfully.

William Washington, a fellow poet, said that Henry had shaped him in many ways.

“So what I remember most about her is that besides great poetry, was the love affair we had that was never a love affair,” Washington said explaining their complicated relationship. Washington explained that while they had deep feelings for each other, Henry often kept him at arms length after her first battle with breast cancer.

“I loved her. And I like to think she loved me,” Washington said, to audible agreements from other memorial attendees.

Washington described his poetry before meeting Henry as mad and angry, which often contained harsh language. But Henry taught him that he could use his words to talk about more than just what enraged him.

“You wasn’t born angry like this. So don’t be afraid to write about love. And even if I was writing about my broken heart, she said write about this therapy. She taught me how to use soothing calming words instead of the words I was using,” Washington said.

While most of the attendants knew Henry in different ways, either in passing through art and poetry shows or decades long friendships, Luis Hidalgo, who never met Henry and attended the memorial with his wife,was equally moved by the ceremony.

“You know, as I get older, I think about my legacy. And to see what a legacy this woman left, the way she touched you. And the way she touched me through the words that you spoke here. What a wonderful thing,” Hidalgo said. “You know, words that were written down 2,000, 3,000 years ago, hundreds of years ago, that still echo today. Words that have taken men into battle. Words, putting men and women in love. And we still read it all these years later. And somehow this lady fits that mold.

Hidalgo continued to say that in reality Henry isn’t gone.

“Because in the Bible, it says if more than two to speak my word, I am present. Well, she’s present then.”

Flushing Town Hall celebrates 160th anniversary

Flushing Town Hall celebrated the 160th anniversary of its historic facility on Northern Boulevard. To commemorate the occasion, Flushing Town Hall held its “Happy Birthday Gala” on June 9th honoring New York City Council Speaker Adrienne Adams and CUNY Queens College President Frank H. Wu.

More than 125 people were in attendance for the historic event, which helped raise funds to support the landmarked building’s operations. The evening was filled with music, performances, networking, and an awards dinner in the renowned institution’s grand theater.

Howard Gilman Foundation Program Officer Emily Sproch (Photos By Dominick Totino)

While the Town Hall limited attendance this year, out of an abundance of caution due to the pandemic, it happily held its first in-person event since 2019.

“In spite of everything, culture never closed, and the arts are essential,” Flushing Town Hall Executive and Artistic Director Ellen Kodadek said. “It’s very simple actually, that’s what you can count on us for here at Flushing Town Hall.”

In attendance were Queens Borough President Donovan Richards, New York City Councilwoman Sandra Ung, New York State Sentator John Liu, Assemblyman Khaleel Anderson, and a representative for Council Speaker Adrienne Adams.

When attendees arrived, they were greeted by The Hellfighters—an ensemble created by Black, Harlem-based artists-educator Elijah J. Thomas—before enjoying performances by the New York Chinese Chours, and a “Global Mashup” featuring seven of New York’s finest musicians including Abdulaye Diop, Alioune Fayé, Frank London, Meg Okura, Arcoiris Sandoval, Cillian Vallely, and Jennifer Vincent, who were representing regions from all over the world, including Senegal, Mexico, and Asia.

The Gala was co-chaired by Flushing Town Hall Board Members Pauline Huang and Timothy Chen. Sponsors included Veronica Y. Tsang, Queens College, City University of New York, Raymond Jasen, Graf & Lewent Architects, Tai Wang/WAC Lighting/Glow Cultural Center/Glow Foundation, Viviana Benitez, TeHsing Niu, Emily Lin/Lin + Loveall Foundation, and New York-Presbyterian Queens.

During the event, Flushing Town Hall honored New York City Council Speaker Adrienne Adams, the first Black woman to hold the position and proud representative of the 28th District in Queens. Robbie Welsh, co-director of the community outreach unit / community engagement division of the New York City Council Speaker’s Office, represented Adams, who was unable to attend due to budget negotiations.

Co-Director of the Community Outreach Unit/Community Engagement Division of the New York City Council Speaker’s Office Robbie Welsh

“Your stewardship of this historic institution has made Flushing Town Hall a welcome destination for residents of all ages to watch concerts, dance, theater, and much more,” Welsh said.

The second honoree, Queens College President Frank H. Wu, praised Flushing Town Hall for being a beacon of culture in the borough. “Through concerts and jam sessions,” he said, “Flushing Town Hall has helped to establish this borough as a home for jazz. That is the United States’ musical gift to the world: American classical music.”

During the evening, Howard Gilman Foundation Program Officer Emily Sproch called Flushing Town Hall “a very bright spot in this City’s cultural ecosystem,” announcing that the foundation made a $160,000 gift to Flushing Town Hall.

“One thousand dollars for each year of its impressive life,” Sproch said. “So happy birthday Flushing Town Hall, may you continue to be blessed, and may you continue to share these blessings with this remarkable community.”

Flushing Town Hall is a Smithsonian affiliate, which presents multi-disciplinary global arts that engage and educate the global communities of Queens and New York City in order to foster mutual appreciation. As advocates of arts equity since 1979, Flushing Town Hall supports local, immigrant, national, and international artists, developing partnerships, and collaborations that enhance its efforts. Part of the New York City’s Cultural Institutions Group, it serves to restore, manage and program the historic 1862 landmark on behalf of the City of New York. Flushing Town Hall iscommitted to arts education and hands-on learning, for the arts-curious, art enthusiasts, and professional artists. They continue to serve one of the most diverse communities in the world and strive to uphold the legacy of inclusiveness that has defined the community since the Flushing Remonstrance of 1657.

Entertainment: Local drag scene celebrates Pride Month

By Stephanie Meditz
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With Pride Month well underway, Brooklyn’s drag performances are more lively and glittery than ever before.

Three queens, Purss’ophonie, Piper, and Adra Quartz, shared their experiences in the Brooklyn and Queens drag scenes as well as their own stories of self-acceptance and expression.

All three queens revealed that, although drag allows them to transform both physically and mentally, their drag personas give them feelings of freedom and confidence that remain even after they remove their makeup.

Emilio Moreno, known by their drag name, “Purss’ophonie,” never felt inclined towards drag until they hit a rough patch in their life, rediscovered RuPaul’s Drag Race, and felt represented by the queens on the show, specifically Bob the Drag Queen.

The 29-year old’s drag persona is influenced by the Black and Brown communities that raised them.

The name is a reference to Persephone, the Greek goddess of the Underworld, but it’s also a literal reference to a phony purse as a nod to their roots.

“It’s basically an homage to when the culture gets stolen or we can’t afford it and we have to get our own bags,” they said. “So instead of coming from the underworld, I come from the sewer with my fake bags. No spring.”

Moreno’s performances are usually dance routines to Black, Brown, female, or queer artists, such as Doechii, Azealia Banks, Beyoncé, and Alex Newell.

Pedro Suarez similarly crafted his drag persona, “Adra Quartz,” after a difficult time in his life.

Doing drag was only a thought in the back of his mind until a friend gave him the opportunity to try it out using her makeup.

Suarez got his start after a New York City queen, Iodine Quartz, adopted him as her “drag child,” meaning she took him under her wing, taught him how to do drag makeup, and introduced him to other queens.

He gave his first drag performance on his 22nd birthday at a competition in Philadelphia, which he won.

Adra Quartz struts her stuff in one of her favorite outfits.

Suarez earned a BFA in dance from The University of the Arts in Philadelphia, Pennsylvania, and graduated from Frank Sinatra School of the Arts in Astoria in 2017. His performances reflect his background as a dancer and artist.

“I think of myself more as a choreography queen,” he said. “Like I’d rather pull out an 8-count than do a little split. And I feel like you’re just showcasing a little bit more talent. You just made this up, whether it be on the spot or prepared in your head.”

Audrey Long, a performer under the drag name, “Piper,” also has roots as a competitive dancer.

Originally from Fort Worth, Texas, the 23-year-old discovered drag through RuPaul’s Drag Race and regularly attended drag shows in college before trying it out themself.

They see drag as an outlet for the performer in them, and their performances typically include high kicks, splits, audience interaction, and high-energy movement inspired by early 2000s pop divas like Britney Spears.

Long is a graduate student in social work at New York University to become a gender therapist.

“I think, being a queer kid in a small southern town, New York was always the epitome of really making it,” Long said. “Like getting out of the small town and moving to the big city was always something I had thought about but never really thought that it was possible.”

The Brooklyn drag scene, which described by Suarez as “disgusting in the best way,” is characterized by unpredictable, often shocking performances and a strong sense of community.

“There are no limits to the drag in Brooklyn,” Moreno said. “Meaning I’ve heard stories of people doing crazy stuff onstage and actually getting physical reactions from the audience.”

They described one performance in which a queen acted as a human wrecking ball during a crowded barbecue at The Metropolitan in Williamsburg.

The scene’s openness to a variety of unconventional performances, however, is a testament to its diverse members and the unconditional support between them.

“Where everyone comes from, they bring a little bit of themselves,” Moreno said, referencing the personal and cultural relevance behind many drag performances. “And I feel like Brooklyn is a place where they’re celebrated rather than tolerated.”

Long shares the sentiment that Brooklyn is a hotspot for some of the strangest drag performances, but they also see it as a land of opportunity for newcomers to drag and a safe place for performers to showcase their art without fear of judgment.

“In Brooklyn, you can do anything and people will still live for it,” Long said. “You can literally stand there to cricket noises for four minutes and the crowd will go wild and you’d probably make lots of money. It’s the silly, fun things like that that really make me love Brooklyn as a borough and as a community scene.”

Piper’s look is completely self-styled.

As a nonbinary drag performer, Long expressed that although many drag spaces are centered around cisgender men, they have never felt excluded from the Brooklyn scene.

They see drag as an outlet for expressing the femininity that they don’t always present, and performing as Piper has boosted their overall confidence.

“Piper has taught Audrey a lot,” they said. “I feel more comfortable in myself. Having Piper be able to wear the frilly costumes and put on all the makeup, it makes me feel like I have more of a balance in my day-to-day identity.”

Suarez, who is masculine-presenting outside of drag, also uses drag to express another aspect of his identity that often goes unseen.

“My drag is a different side of who I am,” he said. “Once the wig and the lashes go on, then you definitely see that personality switch.”

Such self-acceptance and expression are major components of Pride Month in the drag scene.

“To me, I think Pride is almost like renewing your wedding vows,” Long said. “Just that reaffirming of how grateful I am to be queer and be able to live my authentic self with the people that I love.”

However, Pride is still fundamentally a call for action and political change.

In addition to performing at bars, parties, and parades, many New York City queens participate in political activism or community-based events like those in public libraries.

“Pride month is definitely still a resistance movement and there’s a lot of work to be done in our society as well as our own community in terms of misogyny, transphobia, racism, classism, and a lot of gatekeeping,” Moreno said. “We have come a very long way so we do get the privilege to celebrate where we’re at, but it’s always a reminder that there are people that are still marginalized.”

For Moreno, the very act of doing drag is a political statement, especially given the beginning of the gay liberation movement.

“There are people that don’t even have rights in this world the same way that we do,” Moreno said. “And we have to fight as best as we can to just make sure that we’re bringing everybody up… It was one brick thrown at Stonewall, but fifty drag queens behind it.”

Ruhling: The Woman Who’s Passionate About Parrots

By Nancy Ruhling

 

You can’t miss Kar Red Roses.

As colorful as her name, she’s standing in her floral Dr. Martens on the sidewalk outside Trinity Lutheran Church on 37th Street, clutching a chic carrying case, her red hair like a flickering flame in the whipping wind.

Long and lean and wearing jeans and a wide-brimmed straw hat, she looks like a model or at least someone who looks like a model or a celebrity.

She sits on the church steps and opens her case, liberating Albert, her 34-year-old Congo African grey parrot.

He perches on her hand, pecking at her silver rose-shaped ring and planting parrot kisses on her lips.

Kar Red Roses’ red spectacles match his tail feathers.

The churchyard, with its benches, rose bushes and shady trees, is one of Albert’s favorite places.

Kar Red Roses – that’s not the name she was born with, but it’s the one people know her by, so we’ll go with it — is the only parent that Albert has ever known.

He talks and sings what she calls “chicken bolero” opera and makes farting sounds when he’s displeased or joking around.

He interrupts our conversation several times to intone, “Sorry.”

He calls her Karen Bird. “I feel honored that he has given me bird status,” Kar Red Roses says.

He joined her flock – or as he would tell you, she joined his flock – when he was only 6 months old.

But Albert’s not the first bird Kar Red Roses has ever loved. (Please don’t tell him – he will be crushed.)

Kar Red Roses’ passion for her feathered friends began when she was 5 and her father bought a peach-fronted conure for her mother’s birthday.

“Before that, I think I was a normal kid,” she says. “Parrots took over my life – I became obsessed.”

Kar Red Roses, who describes herself as a “classic only child,” grew up in Monmouth County, New Jersey.

In addition to birds, she loved the arts and at one time envisioned herself as a textile designer.

But by the time she got to college, her focus had shifted to animals, particularly horses (among other jobs, she worked on a track as a galloper).

Oops. Albert has had an accident. 

He just had breakfast, and well, you know, shit happens. 

Kar Red Roses takes a bottle of water out of her bag and calmly cleans her jeans.

“The saying ‘eats like a bird’ is incorrect,” she explains as Albert does it again. “Birds eat constantly. In fact, they eat one-fourth of their weight every day. They have a very high metabolism. Their lives consist of eating, foraging, cleaning their feathers and napping, rinse and repeat.”

Albert, she explains, had a hearty, hot meal this morning: a poached quail’s egg blended with ZuPreem pellets and corn, squash and string beans.

He’s a big fan of ZuPreem: It’s his photo that’s on several of the brand’s products.

When Albert arises each day, he waddles across the kitchen table demanding food and sits in his own human-size chair, which is slipcovered just in case, and eats from his own personal plate.

“It’s so cute – he makes lip-slapping sounds,” Kar Red Roses says.

Albert, whose wings are not clipped, has free rein of the apartment when Kar Red Roses and her husband are home. When they are out, though, certain areas are off limits because of safety concerns.

“Parrots are sentient beings who are very loving and as super-intelligent as a chimpanzee or a dolphin,” Kar Red Roses says, adding that Albert’s “gotcha day” is July 9, 1990 and his hatch date is New Year’s Eve 1989. “They live to be 40 to 50, so they’re in your family for life. But they never mature beyond the mental age of 3. It’s like living with a toddler.”

It was her then-boyfriend who suggested they get an African grey.

Kar Red Roses has to admit that she wasn’t keen on the idea, but she went along with it because she had told him she’d accept any bird breed he selected.

“I thought they were grumpy,” she says as she massages Albert’s pencil-thin neck.

Six years after adopting Albert, Kar Red Roses moved to the East Village, where she lived with the boyfriend who would become her husband. They settled in Astoria two decades ago.

In the beginning, she worked in a bird store. By this time she had learned bird grooming. (Albert doesn’t exactly love the parrot pedicures she gives him, but he does tolerate them, sometimes making farting noises in protest.)

Eventually Kar Red Roses became a florist, retiring in 2013.

Birds aside, collecting antique postcards is Kar Red Roses’ other passion. She has 10,000 of them dating from 1905 to 1914. They are organized by subject – night scenes, Paris, England, and of course, birds.

She and Albert do everything together.

“I love to travel,” she says, adding that there will be more time for it when her husband retires next year and they move to Providence, Rhode Island. “He’s been to the ocean, and he loved it. I want to take him to the mountains and the desert.”

Albert cocks his little head while she’s talking.

“Albert will be with me forever,” she says as she puts him back in his carrying cage along with a plastic dish of cashews as a snack for the trip back home around the corner. “I don’t need more than one bird in my life.”

 

Nancy A. Ruhling may be reached at [email protected];  @nancyruhling; nruhling on Instagram, nancyruhling.com,  astoriacharacters.com.

 

Local students win Congressional art contest

Congresswoman Grace Meng recently announced this year’s winners of the annual Congressional District Art contest.

The competition consisted of entries from high school students in Queens, and is part of “An Artistic Discovery,” the national art contest held annually by the House of Representatives.

The contest displays the artwork of all Congressional District Art contest winners from across the nation.

Natalie Niselson, a freshman at Bayside High School, was selected as the winner of the Meng’s contest, for her original artwork, entitled “Brainwashed.”

Meng said that her winning piece, along with the winning artwork from Congressional Districts’ contests throughout the U.S., will be displayed for a year in the halls of the U.S. Capitol in Washington, D.C.

Meng announced Niselson as the winner during a reception she recently hosted for students and their families.
The reception was held at the Elmhurst branch of the Queens Public Library in its second floor reading room, where all the submitted artwork was on display during the event.

Other finalists in the contest were recognized at the reception, including second place winner Angela Lin, a 10th grader from Rego Park for her artwork, “Returning to Normalcy,” and third place winner Siya Gupta, an 11th grader from Rego Park for her artwork, “New York Under the Light.”

Their artwork will be displayed for one year in Meng’s Flushing office.

“Each year, I love seeing such beautiful, creative, and inspiring work that our young artists create, and this year was no exception. I look forward to Natalie’s winning piece representing our congressional district in Washington, D.C. and I am proud to highlight her exceptional talent,” Meng said. “I also thank Elmhurst Library for providing a wonderful space for the reception and exhibition. As we continue to move past the COVID-19 pandemic, I am glad that we can continue to hold this competition, and spotlight the tremendous creativity of our young people.”

All students who entered were presented with certificates of Congressional recognition.

The contests’ entries included different styles of paintings, collages, drawings, and prints. The finalists were decided by a panel at Flushing Town Hall.

The Artistic Discovery contest was launched in 1982 for members of Congress to highlight the artistic work of high school students from around the nation.

Since it began, more than 650,000 high school students from throughout the United States have participated in the competition.

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